Kentucky Morning Series - Wrong Turn

I took a wrong turn that morning, but it was a turn that ultimately proved itself as a fortunate mistake. When I backed out of my driveway a light fog drifted across the pasture across the road. The air was cooler at this time of day so I hoped fog would fill the lower parts of the Shanty Hollow lake area. Twenty minutes later as I approached the ‘Y’ in the road that would ultimately take me toward Shanty Hollow, the fog became quite thick and instead of angling to the left, I drove straight somehow missing the turn.

About a half mile later I realized my mistake, but decided to continue on down this less traveled road when I came across a medium sized pond that was covered with a light blanket of fog. The sun was still several minutes from rising so I turned around and pulled off on a side road and walked around to the side of the pond. The air was perfectly still and what ambient light there was began to glow with a solid aura that filled the sky and area with its color.

 

 

Over the next twenty minutes, this aura changed in texture and color from deep lavender to pale blue then back to a soft sunrise orange. The colors were perfectly captured on the surface of the pond. 

This wrong turn proved itself a fortunate mistake that offered an amazing moment of light that stood apart as one of the most unique I’ve ever experienced. Once again a moment displayed itself with the flavor and melody that so typifies what a Kentucky Morning can offer.

Kentucky Morning Series - Fourth of July

Nature provided the fireworks on this 4th of July morning. I was up before dawn and out the door specifically heading over to a pond I last visited maybe two years before. What greeted me that morning was another marvelous example of a Kentucky morning.

When I first arrived at the location, the sun was still several minutes from breaking free of the horizon, which allowed me some time to get setup and plan my morning shoot. Sometimes, I only have an idea of what I want to do and often wait until the specific moment before deciding what will work and what will not. To capture a sunrise effectively, you must work at a neurotic pace because once the sun pops above the horizon, it travels rather quickly. Within a few minutes it will climb too high in the sky.

One element I love about Kentucky are the calm winds. Coming from Oklahoma, wind was simply a way of life and you just dealt with it. Here in Kentucky, the wind is much less of a factor and there are times when the air is completely still. That is what greeted me that morning.

I set my exposure to take advantage of the moment using a mid-range aperture, along with an almost negative two stop exposure compensation value. This proved a winning combination as it allowed the camera to capture what I was feeling...not so much what I was seeing. The effect I wanted was to lean toward an exotic, one color look. With the sun reflecting on the water and what haziness there was created a morning glow...the exposure values generated a darker and bolder look than what was physically being displayed.

That is a mistake I see many photographers make...they think they must capture the scene the way it appears visually when in reality, in many cases you can capture the emotion of the moment more effectively.

This 4th of July, the fireworks that nature displayed proved far superior to any of the man made attempts that came later in the day.

Keith