Indian Summer - Rhoden Creek

 The simple things grow more important the older I become. I discovered a renewed spirit on Kentucky's little Rhoden Creek during a most memorable Indian Summer October.

A Splendid Kentucky Indian Summer October: How A Small Little Creek Salvaged My Photography

 I had nothing better to do. The weather was splendidly fine and the late October Kentucky sky shined bright and blue. A chill filled the air early on, but I knew by mid-morning the day would turn Indian Summer warm. About 9:00 AM I scurried around and grabbed my new-to-me Sony A77 camera, an upgrade from my now older and defunct A65. With the Sigma 18mm - 50mm f/2.8 lens attached I made sure the polarizer looked clean and dust free. A quick spin and all was ready. I grabbed my venerable Minolta 75-300mm lens, just in case. Didn't plan on using it, but you never know. Rule is, if I didn't bring it, I'd have wished I did, but by taking it, it was pretty well a done deal I would not use it. A fresh battery tucked into a shirt pocket along with a pair of readers...and oh yeah...can't forget the tripod. I settled for the smallish, but sturdy AFaith one. A quick reformat of the card and I was ready to go.

Fall in Kentucky lingers way to long. Seems it just holds off, and holds off, showing only tantalizing hints of what is to come. Then almost like magic, someone waves an invisible wand and overnight the fields and woods are adorned in colors that rival anyplace you might imagine. Just three days before only a few trees showed any kind of significant color. This morning, the fall season colors exploded across the landscape including my backyard. But, I was heading to another location, A little creek known as Rhoden Creek. It's a place I frequent from time to time for I know if I catch it just right..well, just maybe there might be a photo or two in there.

The old Jeep purred on down the road passing flowing colors adorning the hills and valleys that is eastern Warren County, and western Allen County. I needed a light windbreaker for the air was still cool especially with the doors off the Jeep. The winding road passed old buildings and barns moving up and over shallow hills and along side fence rows. I took a shortcut inside Scottsville and came out on the other side of town and continued on. Before long me and the old Jeep took a left turn off the mainroad and drove on for another mile or so and took another left turn to eventually cross a low-water bridge. I parked on the other side. 

The creek flowed low but steady and danced lively to its own rhythm across a gravel bottom and slippery flat rocks. I walked across the bridge to the backside and stepped onto the gravel bank. Sometimes I simply time it right, and today it felt right. I knew something photographic would come from this. The creek was lined on one side by a row of trees glowing with fresh fall colors. Behind them a two maybe three acre field spread a gap between the creek and a shallow hillside also speckled with reds and yellows. On the other side of the creek a shallow hill rolled upward forming a tilted wall. Lined with a woodland, its sides shouted with authentic Kentucky color.

Countless fallen leaves already lined the creek and a small break line offered a tiny brook level waterfall whose motion generated the classic small creek music. With each lift of the breeze, hundreds of leaves filtered across the opening, and with each passing of moments, I was filled with the satisfying sense of being there. The water, clear and clean, rolled along near my feet. So much to see, so many angles and compositions to choose from, I found it difficult to decide where to start. I just allowed my instincts to take charge.

Visualizing a composition is one of the most difficult things for a photographer to master. Sometimes Nature all but does it for you. Even so, you gotta evaluate the sun angle, compose the frame, set the exposure, adjust the polarizer, move forward, backward, kneel lower or stand higher. But eventually, you press the shutter. I am thankful I started in photography way back in the film days. Doing so forced me to observe more intimately the landscape and composition, and that alone has contributed to my, most of the time, seeing the composition before I press the shutter. One thing I've learned over the years; There is more to capturing Fall colors than simply pointing your camera toward a pretty tree. You must capture the emotion, and express why this moment, this location, this instant of light is important. You do that by allowing the light to illuminate the story. You are the writer, director, and producer of this story and it is your vision that is captured. 

 At the first image, something began to work. Like a machine, I moved to the left, then right, then back, then forward. With each shot, the compositions matured. Not sure how many images I managed that morning, but oddly enough, when I looked more closely at the result, the first few were the ones that stood out. First impressions almost always work that way.

The sun climbed a bit too high in the sky and the light within that channel began to grow much too harsh. By the time I arrived back home, I could not wait to take a look at the results. It's not often an image I take will generate the kind of response I felt. Usually it's something like...well, this one is pretty good, or, I can maybe salvage these two. The first couple of images I brought up on the screen caused me to verbally exclaimed, "Whoa...Oh my."

A Kentucky Indian Summer October day and a small little Kentucky creek salvaged my photography for the season. I had indeed grown complacent and uninspired, but, light has the ability to change your perspective and that in turn challenges your vision.  

Until the Last Moment of Light: When Nature Says "Here I am..."

Difficult it is and sometimes downright hard it is to sit still inside a tight fitting, makeshift photo blind for several hours waiting for an opportunity to photograph a wild animal, Kentucky Whitetail Deer in particular. Your mind tends to drift, your back starts to ache, your rear-end starts to cramp, and those are the lesser of the uncomfortable symptoms. The question 'Will they even show up' crosses your mind a dozen then two dozen times. You hope they will. You've seen them in this field countless times. Their patterns vary on each visit, but, yeah, they'll most likely show up, eventually.

Problem is; I've already taken hundreds of ordinary images of them, only a few of which really separate themselves from the others. That is what I am seeking for this season-long project, and going forward; photographs that reside outside the routine. An image that captures not only the animal behavior, but one showing where it lives. Much of that depends on the deer of course. Sometimes they cooperate, most times they do not. Their senses often spoil your attempts. Even so, the challenge is what drives you, keeps you sitting there with a cramping back and stiff legs waiting for the moment to present itself. 

The afternoon drifts away toward evening and the angles of light begin to cast shadows through the tangle of woodlands that mark the perimeter of the recently harvested cornfield. The fall season colors are but a few days away from busting out. Already chilly, with some color growing across the landscape, you relish nature's transitional moments. Not quite there yet, but headed in that direction. It's easy to get distracted maybe even nod off as the warmth of Indian Summer surrounds you, but then your leg cramps and you gotta stretch it out. Not so easily done sitting inside a burlap and stick blind barely large enough to accommodate your frame, a tripod, and your camera. 

Even when hidden behind the camouflaged burlap, movements can still alert a whitetail. Their hearing and eyesight honed precisely into a keen sharpness by nature's way of survival. Even a slight shift of the gentle breeze will betray you...all of a sudden you hear it, that loud, sharp, snorting bleat of an alert doe whose nose told her an intruder is close by.  A few moments before and you felt like they would never show themselves. Now, they detected you before you even knew they were there.

You see it move to your right; not where you expected, angled away just enough so your camera cannot rotate that far without moving the entire contraption, and that would make a far to obvious commotion. So, you wait. You dare not move. She can't see you, so calms down and begins to move, head down occasionally checking the breeze for intruder scent. Suddenly, there are now three, then five. They move so silently in spite of the dry conditions.  Finally, you are able to fire off a few quick photos. They hear the soft wisk of the shutter and instantly look up all eyes locked onto where you are. They cannot possibly see you inside the blind, but they instinctively know something is not quite right. They grow agitated. Stomp the ground, snort twice, then a third time, and that subtle gentle breeze shifts ever so slightly again, they twitch, raise their tails, and bolt across the field. They run maybe two hundred yards before stopping, turn back to give you one more look of contempt before they calm down enough to begin feeding again.

By this time, the sun has settled to just above the horizon and a bit of a chill runs down the back of your exposed neck, but you don't really feel it, locked onto the moment. Maybe another five minutes of shooting light left, but the best light is now. The does are standing in the gray of cast shadows. Soft, golden, mid-October light floods the far treeline, the horizon gray shadow ever so steady, creeps across the field to the base of the woodlands.

More movement. Two, three more does emerge from the shadows across the field and meander toward the fading light. Another two minutes and the good light will end. One of them saunters to the edge of the shadowed area, hesitates, then moves across a last remnant beam of sunlight that sets her aglow as she stands beneath overhanging limbs. You focus the camera lens peering through isolated grasses in the field and lock onto her. One more step...Click.  A moment later, the light show comes to an end, and everything turns a blue gray. 

Several hours of waiting, anticipating, not knowing for sure if there would even be an opportunity to photograph these amazing creatures in their habitat. You never know for sure what will happen, how the light will interact with the deer, but, you hang on, and wait...wait...until the last moment of light...when Nature says "Here I am."