Shooting the 2019 Super Blood Wolf Moon and Eclipse

The past two years Kentucky has been fortunate to witness two amazing celestial events. The full total eclipse of the sun last year (2017), and more recently the total lunar eclipse of the moon. Throw in the M46 comet and several meteor showers and you have full year of wonderful celestial magic.

Shooting the lunar eclipse known as the Super Blood Wolf Moon turned out to be filled with drama and exciting opportunity. For over a week leading up to the event the skies in Kentucky were overcast, cold, rainy, and generally miserable. The day leading up to the eclipse we received a couple inches of snow and the day of the eclipse started promisingly, but deteriorated into a gray white sky filled with a cold wind. By that evening, the sky was still cloudy, but about an hour or so before the eclipse was supposed to start, the skies began to clear, slowly at first with scattered remnants obscuring the moon. Just before the eclipse started, the clouds parted and the sky shined crystal clear with the Orion constellation hanging majestically in the southern sky and the full moon brilliantly riding almost overhead.

Over the next couple of hours I stepped outside to take few photographs, then came back inside to warm up, repeating the process until the last 20 minutes or so before totality occurred. That last 20 minutes I bundled up and braved the cold night air to watch in awe as the moon grew blood red across its entire face snapping images every minute or so.

Capturing images required some trial and error. I started off shooting in aperture priority at f/8 with an ISO of 100 allowing my shutter speed to drag along depending on the brightness of the moon. I ended up having to over compensate the exposure to allow for a short enough exposure to keep the image sharp. Before long, I had to change my tactics and shifted my exposure to a manual mode. This allowed me to shoot at f/6.3 and adjust my shutter accordingly to obtain the results I wanted. I shifted the ISO upwards to 1600 and began shooting around 1/4th of second alternating up or down to get different results. I also adjusted my camera into the Vivid mode which would enhance the blood red color effect.

As the moon approached totality, I was beginning to grow numb from the cold and decided to call it  a night. Certainly, the night was filled with magical celestial moments few take time to observe. The night sky is filled with wondrous visions and with the technology found within today's digital camera's almost anyone can capture those wonders. The Blood Wolf Moon Eclipse proved a highlight of the new season of observation.

Looking For Quality Light - Shoot The Edges

Most of us already understand how light is the driving force behind all great photographs. It is the quality of light that separates good light from bad lighting situations. Without it, photographs tend to become xerox copies of the things we see. Improve the light and your images will be transformed into moody and powerful images of the world around us.

Quality and quantity are not always a good mix. In fact Quantity of light has little to do with its quality and in many cases only serves to hinder the creative process. Certain kinds of photography often do require a good quantity of light.

Photos of subjects like wildlife or fall colors often do better when the quantity of light increases enough to generate bold, dynamic colors and detail. However, to create moody light, or light that possesses a softer more reflective quality, lower light often is what is required. But Low light is not always conducive to quality and will sometimes create a muted and often unresponsive effect. To find elusive quality light a great place to look is along the edges of light.

Shooting the edges of light will in most cases solve a great deal of lighting problems anywhere from high contrast, to dim and unresponsive muted colors. But finding it requires we know where to look. So lets take a look at where to find quality edge light.

Actually edge light can be found almost anywhere at anytime of day, but in most cases it is best and most easily found in specific situations. The most obvious is during transitional moments of the day like from predawn to sunup or the twilight regions between light and dark transitions. Edge light during these moments can be some of the finest kinds of light you can shoot. I'm not specifically only referring to sunrise or sunset situation, which can be great times of course, but those moments where light changes from one style or type into another. An example would be just after a storm when the sun breaks through thick cloud cover. Or in drier regions, during times when a great deal of dust is in the air and the sun is filtering through it.



Edge light can be reflected light which takes on the color hue of whatever it is reflecting off of. This can generate interesting effects, but can also generate some unwanted conditions as well. Edge light can also be diffused light created as it passes through a translucent material or object like glass, or clouds, or water vapor like fog.

Edge light is some of my favorite light in which to shoot. It almost always improves the situation and creates a great deal of mood. Using it to its fullest extent can be tricky and requires a great deal of trial and error to get it right, but when you are struggling to find quality light, by adjusting your eye to look beyond the ordinary and look for those interesting lighting conditions created by edge light, you can start to overcome photographic setbacks and move forward into the realm of amazing light.