Visual Sounds of Summer

There are country sounds, feelings, and aromas that only summer can generate…farmers working their fields, hay being cut, and that warm breeze that makes the trees shake with life...and experiencing its warm embrace while sitting under a shade…I love sitting on the front porch listening to and feeling the spray from a summer rain shower…oh those summer rain showers that fill the air with their moisture laden aroma.  It’s a great time of year for photographers as well.

In Kentucky, the evening sky can be amazingly bold with subtle differentiations between layers where the lowering sun slowly filters through each and redefines their structure with pastel lights.  Mornings carry their unique flavor as well…often clear and fresh, yet with enough character to fill the landscape with golden light…throw in some fog and you have a great mix of mood and drama.

Capturing these images is as much a process of capturing what you feel as it is a technical application.  Understanding how the camera sees light…how it reacts to light…is key to generating those technically great character and mood images, but expressing the mood of the moment involves understanding yourself and how you react to light as well as understanding what generates an emotional response in someone else.  It’s more than pointing the camera at a scene and letting it make all the decisions...it’s understanding why the camera made the exposure decision it wanted to make, and visualizing how you actually want the image to look…then compensating to achieve that goal.

A mistake many beginning photographers make is, believing they have to capture a scene exactly the way it appears to them visually.  Sometimes that may be exactly what you need or want to do…but, the trick is understanding that you do not have to accept what the camera automatically gives you…which in many cases is not the way we saw the scene visually.  The camera, properly used, is capable of imparting drama and emotion even when photographing an area with subpar light…it is capable of making subtle-light bold…bold-light subtle…and great light amazing.

The visual scene is only part of the image generation process…what separates those great emotionally responsive images from ordinary snap shots is having the ability to look beyond the obvious and photograph from the heart…not the eye.

Summer can be a wonderful time to practice this as the light variations are so wide during the day that opportunities abound for those willing to get up early enough to capture them and willing enough to find those potential locations where the light will flood the senses with its magic….then looking beyond that…not simply accepting the average exposure values the camera gives you…but branching out and seeing the scene not from the eye, but from an emotional point of view…then ask yourself one varied but important question; why do I want to capture this scene…what is here that captures my imagination and why is it important to me at this moment…then photograph the elements that play on those emotions.  How to accomplish the technical aspects of it comes with practice…shooting the visual sounds of summer, or any season, with emotion...comes from the heart.

Turning 60....

A few days ago I had the pleasure of photographing four very delightful and very youthful models during a location shoot.  My self, along with several other photographers, spent the morning framing shot after shot and observing the energetic glow that flowed outwardly from our models...to say they were delightful, I mean that in the nicest possible way I can express, for they were absolutely delightful young ladies...and for a brief few moments, I seemed to regain a measure of my own long lost youthfulness...and felt young again.

The previous day I had turned 60...seems I'm beginning to understand that this age thing is creeping up on me more and more.  Although I've tried to remain active over the years, my tolerance for vigorous activity seems to have faded with time.  Oddly enough, I can still do a lot of the things that I could do twenty...even thirty years ago...just that my ability to recover from it takes longer...and that is where I sometimes tend to over do it.

In my mind I still see that 17 year old 4 minute and 40 second mile runner from high school days...that 20 something who performed search and rescue operations off the Oregon coast...that 27 year old that first fell in love with a wonderful young lady...who has been my soul mate for 31 years now, and who has been my strength ever since.  In my heart I'm still that proud new daddy who held for the first time his first born son...then again a few years later when number two came along...I relished watching them grow up.

When I see the old bicycle hanging in the garage, I remember being that 30 something eager rider who would regularly bike 40...50...even 60 miles....just for fun...and who canoed and hiked his way through wilderness adventures.  When I turned 40...the world did not end like I thought it might...but my positive attitude took a hit and I went through an early...some would say...mild-case, middle-age crisis and jumped into the Triathlon craze that swept the country...back then.

When the 50's arrived...seems the time thing reversed itself...I slowed down, but time sped up and that decade passed far more quickly than the others...yet, somehow I rolled through them relatively unscathed. During that decade, career issues and broken or malfunctioning body parts caused me to slow down and I saw a lot of physical changes...my hair turned white, my waist grew softer and larger, my once better than 20/20 vision got blurrier, my mind's ability to absorb details rebelled and refused to do so at the same pace, aches and pains infiltrated into parts of my body I didn't realize could have aches and pains.  Yet somehow...way back in the recesses of my mind...that young, vibrant, youthful person I once was lingered still and called to me at times.  I tended to ignore those calls most of the time...but occasionally mustered enough energy to swim a few more laps, take another hike, hit the gym circuit for another round...and then spend a few extra days recovering from it.

Well, now I am finally 60...and my mind today says that it's okay...but, when I reflect back across time at all those missed opportunities and too many wasted efforts, my heart says...well...maybe that should be left unsaid...it really wouldn't change anything.  Even so, for a brief few moments that Saturday morning, those four delightful young ladies spurred within me an ability to revisit once again...at least in my mind...what it was like to be young and strong and full of energy.  Yeah...they were delightful alright, in the best way a young person can demonstrate.

Before the morning ended, I told one of the girls as I struggled to rise from sitting on the ground , "Value your youth...for it will quickly fade before you realize its gone"...Yeah, I really enjoyed that morning of experiencing their energy and youthful exuberance...it certainly made turning 60 less of a disappointment...and you know it helped me to place a few things into their correct perspective...turning 60 ain't so bad...when it's all said and done...it's more like an earned accomplishment.

Keith

How vs Why

In recent years I've taught a few photography workshops and invariably the single most asked question is..How do I make my camera work?  As novice photographers, we all go through that phase of How.  It's an important aspect and basic to all good photography.  Unfortunately, many photographers never really climb out of that mode of asking How.  They are continually seeking how to take a certain kind of picture or how to use a particular camera feature.

The fundamentals of photography are actually quite straight forward...its all based on aperture control, shutter speed, ISO, and in the digital world...White Balance.  It's the combination(s) of these four elements that dictate the final exposure value.  Learning how to frame or compose an image is also based on basic elements and those fundamentals can be learned with some practice.

So why then do many want-a-be photographers never really seem to progress in the quality of their images?  Part of the answer I've already stated...they continually stay in the How phase of photography...but the most important element that prevents someone from advancing is that they fail to understand or grasp the concept of Why.  I could teach someone all the basics...send them to a favorite location where many great photographs have been taken and have them shoot a series of images...and their images will often look rather ordinary.  The reason for this is because most photographers approach their photography like this:

         How do I capture this scene?  How do I setup my camera?   I'll just let the camera decide what works best.

The result can be quite predictable...ordinary snapshot images.

I need to qualify a few things before I continue.  First of all, I still continue to learn new things about photography almost everyday and I am continually amazed at some of the amazing images others take...but when someone asks me...How did you take that image...the answer is not some much how...but Why.

You see, almost anyone can learn the fundamentals and know all the technical elements they need to know to make great photographs.  Where they fall short is that they fail to ask themselves why should I take one shot or another.

When I am asked a question like the one above, my answer usually focuses more on why I took the shot...the  light, the angles, the structure, the textures, the mood, the mystery....these are all why reasons to take photographs.  Most photographers stop short of asking themselves these kinds of questions...actually it's not so much asking a question as it is simply recognizing when all of the elements exist.

 A photograph you take is as much a part of you as the words you use to describe the image.  Always remember to look for those elements that answer the question why in your photography.  When you do that...then your photographs take on a whole new context and dimension.

When someone sees an image I've taken I always want them to visually understand why that moment was important to me...why did I take that shot...because it spoke to an emotional part of who I am.

Keith