Your Best Lenses are Your Eyes – Your Best Filter is Your Imagination

Well...I've come to a milestone and made a decision. After much thought and the better part of five years and 230 posts, this will be my last Blog Post on Beyond The Campfire. It's been quite a challenge and a wonderful journey one I have both appreciated and have been encouraged by the response and feedback. I hope the few words I've shared about photography and about getting outdoors...beyond the campfire...has encouraged and challenged you the readers and followers. Thanx for all the support. It's been fun, but time to move on. I will from time to time provide a post on the Nightscapes portion of the Blog, but for now, I close the book on Beyond the Campfire and leave you with this one final post.

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My worst habit is I tend to photograph the same subject matter all the time. Not sure how many images I have snapped of that old downed tree with the snarled overhanging branches being reflected on the surface of the pond behind my house. For some reason I keep taking that same old shot over and over. I suppose thinking that one day I will actually come up with a shot of some merit using that subject. So far it hasn’t happened. Sometimes we get tunnel vision and only see what is obvious when more often than not, what is not obvious provides the greatest potential for a great photograph. What happens is that we rely too much on mechanical devices to do the work for us and fail to use our greatest assets; our eyes and our imaginations.

Your eyes are your best lens. It is thru these lenses you build the composition. Learning how to see photographically is the key. Your best filter is your imagination because employing that aspect of the photographic process is what opens your mind to all the possibilities. It is being able to see beauty amongst the ordinary and then developing the technical skills to capture it, that separates the great photographer from the average one.

Using your eyes means to see beyond what is simply visible and using your imagination resolves 

 

being able to recognize how different light and a changing atmosphere will affect the scene. What is most important is being willing to be there when those times exist. Two favorite examples of mine are the first two images included with this post. Both were taken at the same location, a place I found several years ago in the middle of an ordinary day in the middle of the summer. On that ordinary summer day, the ordinary nature of this little valley would have been easy to overlook. But, as I gazed across the valley from my high vantage point I recognized the potential of the place. Arching behind the tree line along the bluff flowed Barren River. I knew Kentucky was a great place for foggy mornings. I also knew that in a few months when cooler weather arrived that fog could potentially provide a wonderful photo op.

Using my eyes, seeing what wasn’t there…yet…I was able to visualize something extraordinary evolving from this ordinary location. It took several pre-dawn attempts to catch the right moment, but when it happened, I was there. The moment would not have happened had I not used my most valuable lens; being able to see past the ordinary.

The last image is one I took a good number of years ago using slide transparency film. It was almost by accident how everything lined up, but what I saw visually was not what I created photographically. That came from looking beyond the ordinary, beyond what was visible, to see what was possible. It became one of the most iconic images I have ever taken and have never duplicated.

With this being the last post, I want to leave you with one final word of encouragement. The world is full of amazing opportunities, so do not settle for the simple, the ordinary. Seek out the extraordinary and use your imagination to create your own amazing images.

 

Thanx for following...

Keith

Moving the Baseline - Bridging the Creative Gap with Streams of Light

What is this photograph about? This is a question I have asked myself countless times, and just as often, I struggle to find the answer, yet I keep asking it, seeking how to bridge the gap between what is ordinary and what is extraordinary. Sometimes the answer comes unexpectedly, illuminated by streams – streams of light.

Recently I began photographing the night, not just the night sky which in its own right requires a unique set of techniques and conditions. Photographing meaningful images and creating imaginative compositions when light is concentrated in short bursts or by streams of illumination, requires a different kind of visualization than photographing in daylight. Even at first light or dusk it requires being able to see how light affects the dark. This kind of photography explodes with drama and drama is what closes the gap between routine and exceptional.

 

The night creates an all-encompassing shadow that covers the subject matter with an absence of light. It is this absence of light that defines the baseline of what your night photograph is all about. Add a thin stream of light from a faint source and the shadow is pierced and the baseline moves. Change the angle of your perspective and the stream of that light changes the drama, and the baseline move a little more. Look from a lower or from a higher vantage point, and the composition evolves toward the answer you are seeking for what the photograph is about. Sometimes it happens on the first try, usually it requires many trials and experiments with light at different vectors to discover what is there. You have to keep moving the baseline, shift it and mold it until it gives in to succumb to your creative desire.

The trick is to keep asking yourself, “What is this photograph about?” The gap that separates you from finding the answer is most certainly a product of your own persistence. Too little and the answer becomes weak, but stay with it, keep looking, keep experimenting, and the gap narrows with each attempt. The odd discovery you will eventually realize is there is no single best answer for any given situation. You may discover the answer was already there before you began, it was in your heart. You just needed to find how to release it.

Keith

Young At Heart

I’ve often agreed with the axiom that youth is wasted on the young.  As I have grown older I have noticed a slowing down of sorts. Oh, I still have moments where I can recall, when required, the energy reserves which lie dormant most of the time. And I still find it hard to recognize the old guy I see in the mirror every morning. Locked deep within the recesses of my memories resides the young man who was energetic and full of adventure…way back when. He’s still there, sort of mostly, just suppressed and not allowed to surface as often as he would like. Although my physical youth left me many years ago, my emotional youth is still alive and for some strange reason I believe I am still that young guy from years ago. Those thoughts often get me into trouble when I tempt fate believing I can still do the things I once could do.  So when an opportunity presents itself to rekindle that dormant youthful spirit, I will occasionally allow myself to pursue the moment.

Two or three times a year our photography group will do a model shoot where we offer a few young folks the opportunity to get some free location portraits made. All they have to do is use their energetic youthful spirit and allow us older geriatric types, an opportunity to use our photographic skills. All of us have a great time with it and the models are always delightful and full of energy. By the end of the shoot, we the photographers are worn out, but the young folks, well, they are off and running toward some other adventure and never seem to skip a beat. If I think back real hard, I can almost remember being that way myself at one time.

On a recent Saturday one of those amazing spring days greeted us. With temperatures in the upper 70’s and a nice breeze stirring through the shady trees, a group of us met on the Western Kentucky University campus for our first model shoot of the year. On a normal model shoot we usually have two or three maybe four models at best, but on this day we ended up with ten…we only had seven photographers, so there were plenty to go around. I invited two young ladies I know to join us, both of whom are delightful and lovely.

Over the course of three hours they proved to us again just how energetic they are and hundreds of images were taken. It is interesting to see the different photographic styles employed. Those with a studio background reflect that thought process in their photographs. Those of us with a nature background, tend to employ more nature elements to our portraits. One of the photographers leans toward an edgy fashion style and his photos certainly reflect it in the poses and angles he uses. I tend to use a more informal style and allow the models to perform in their natural manner giving direction only to change the mood or energy "…look over this way, your right shoulder…no, your other right…tilt your head this way…big smile…soft smile…think about your first kiss…look up…look down…close your eyes". It’s a lot of fun to see them respond and begin to have fun with it. When they are having fun, they loosen up and look more natural and that makes our job as photographers much easier, but it fun to inneract with them. "…wow…what a shot!...that was a great one, but I missed it…so let’s try it again…got it…!" 

With ten models and only three hours, there was no way to effectively shoot all ten of them, but we did the best we could and all of them were able to get some very nice images. By midday we the photographers were worn out. All of us had so much fun, I almost forgot how old I was. Being around those energetic young folks transported me back to another day and time and I saw myself reflected in their lives. They were great sports, polite, and genuinely enjoyed what they were doing. Although I stay in reasonably good shape physically, there are other kinds of exercise required to remain young at heart. That would be to exercise your sense of perspective and place into context all the years of experience it took to get where you are now. 

 

To get this far one requires a bit of a youthful attitude and it helps to have a cheerful one along the way. These young folks with their energy and adventurous spirit, without even knowing it, helped to cheer up and encourage an older generation of photographers simply by reminding us about our own youthful past. They were grateful to get a few photos. We were grateful to share in a few moments of their youthful energy. http://www.sunnysixteen.org/gallery3/index.php/Keith_Bridgman/Model-Shoot-514

 

Keith