A Hike Through a Winter Woods

I have developed a bad case of the use-to-do's. I used to do a great deal of seeking out adventures...use to do a lot of canoeing and hiking...and fishing. Use to spend as much time outdoors as I could muster..use to have a great deal more energy than I do now. Seems I have allowed life circumstances to stifle all the activities I use to do to the point where sometimes I feel like I've lost my identity.

Today I managed to get out for a while and take a hike through the winter woods up to one of my favorite places; Shanty Hollow Lake. While stomping around the bluffs and listening to the solitude, it became very evident just how much I miss doing such things. Seems odd really, to write a blog post for an Outdoor Photography site when it seems I have such a difficult time getting out these days. Oh, the desire is still there deep down in the heart, just that too many of life's issues has interfered with following through with those desires.

I said to myself today...'...you know, you gotta just make time to do this more often and quit making it so difficult on yourself to do so.' I decided right then and there to...well, just do it. To help me get rebooted I plan on starting another semi long-term photo project. The idea is to revisit as many of my favorite places as I can during the winter months, to rephotograph them and take video footage along the way. Never did much videography, just some simple clips here and there. Hopefully, I can manage to capture some interesting footage. So here then is my first Winter Project article...A Hike Through a Winter Woods. 

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The winter woods, how quiet and fresh, how serene and crisp. Even on a gray overcast day, the winter

woods offers within its realm a measure of solitude accented with an array of colors subdued by the very nature of winter. Finding color in an otherwise gray environment is actually rather easy for what color there is stands apart from the dullness of a slumbering woods. Green by far is the boldest color, of lichens and mosses, and a myriad of broad leafed plants that still sprout defiantly amongst the jumble of fallen leaves. No shortage of leaves of course with their brownly buff, rusty tan, and damped oranges. Add a splash or two of red and the variety and intensity of the colors of a winter woods comes to life.

Winter provides for fresh air like no other season. The coolness of it embrace invigorates the soul and cheers you on with each step. It speaks with a language all its own and intensifies with the slightest breeze. A wind will almost make it yell at you, awaken your senses as it slaps your face. Add to it a lively stream, one that rolls and chirps its song without end, each note the same as before, yet somehow blending into a sweet symphony as musically intoxicating as any born from man.

A winters woods, to feel it, to know it one must walk through it, to experience it one must linger within its halls and allow all of its charms to elevate you above what is normal. A winter woods is not ordinary, it is enchanting. Toss in a layer of fresh snow and it is transformed into a world alive with wonder. Oh to walk through the woods on blanket of snow one begins to live again, to find meaning again from a life so often held in check by...life.

A woods filled with winter reverberates with an energetic resonance not discovered any other time of year. A chirp, a subtle splash, a whisper of wind, a hawk circles overhead, and the flow of water as it dances along, around, and through a tangle of bolders and stones. These are the sounds of a winter woods. These are the elements by which one can be restored, to rediscover why one is drawn to such places.

I took a hike through a winter woods and witnessed once again the wisdom of why God created such moments.

Get It Right In Camera

Photoshop and all its derivatives have revolutionized photo processing so much so that very few photographers including myself could hardly survive as such without it. I'd venture to say that Ansel Adams himself would love Photoshop and rightly so because when used within its magical abilities, photoshop will transform marginally exposed images into works of art.

Photoshop with all of its power has also created a lot of lazy photographers. Indeed, digital photography in general has contributed to that laziness with its instant gratification. I feel fortunate to have studied the basics of photography during the days of manual film cameras. For having done so I do believe has helped me become a stronger photographer across the entire spectrum of the art form. Oh I still have a lot to grasp and must in time continue to develop my technique so as to improve my skills, but having studied during the time when you had to get it right in camera before you ever saw the image has proven an invaluable asset.

As a result, even today with the versatility and advantages digital cameras provide, I still strive to get my images right in the camera before downloading for processing. There are several reasons why.

First of all, its just a force of habit. I am always thinking in terms of f-stop, aperture, ISO, shutter speed, lens selections, and composition. Digital cameras today make it relatively easy to get the shot close but I want more than close. I want it as close to dead on as I can get. It is amazing how often I hear someone say, 'I have a good camera...I just put it program mode and it gets everything right'. Most of the time I simply smile and ask what kind of camera they have. Remarks like that reveal how little the person understands what the camera is actually doing. To truly take advantage of the power inside that camera, you still have to understand what it is doing.

Secondly, by getting the shot right in camera, any post processing that must be done is simplified. The majority of the digital images I take require minimal post processing. A slight tweak of contrast and brightness, and small amount of sharpening, and an occasional touch of color correction, and I am done. Most pictures I can do in less than a minute with the exception of portraits which generally take longer because of the requirements to get the skin tones and softening correct.

Thirdly, I want to stay engaged with the photographic process. It is part of the craft of photography to think through the problem and apply the correct solution. It is like the difference between using a stamp to mechanically create something over and over, verses building it from scratch with your hands. The satisfaction level is so much greater and the quality of the finished product becomes readily evident.

Lastly, getting in right in camera is not unlike painting a beautiful picture on a blank piece of canvas using all the artistic techniques and tools to capture a unique moment in time. It certainly is more difficult, but the rewards are so much greater for having done so. It also allows you to become much more creative. When you understand what is happening and why the camera does what it does, you begin to bridge the gap between being a simple picture taker of things capturing xerox images of what you see to becoming someone who can visualize the end result before you ever release the shutter. That is what artist do, they create works of art that stir the soul. Striving to get it right in camera elevates your photography to that next level of understanding what it means to become an artitist.

Capturing Character

Character is to photography like flavor is to food. It becomes what is savored the most. The image comes alive because of the visual appeal it presents and becomes the defining essence of whatever it is you are photographing. Whether a portrait or a landscape, every photographic opportunity is defined by its character. Capturing character therefore becomes one of the utmost important missions for every photographer. Recognizing character, then capturing it comes with experience.

Recognizing photographic character may in fact be one of the most difficult principles to master for photographers of all levels. Partly because there is such a wide range of possibilities, one can easily look right past it. One of the more obvious points of character is found with capturing people. Creating compelling portraits is all about capturing character. Without it, all you have is a Xerox image of someone. Character is what defines their personality and character definition is most often associated with how you use light and shadows to enhance the persons features. Soft light, harsh light, back light, sidelight, direct light, filtered light, defused light, daylight, low light, shadow light, big light, small light, all of these play a role in defining the character of the person you are photographing. Recognizing which one to use for each individual moment requires you understand the effects each of these can have on your subject. To develop this understanding requires that you shoot using all of these kinds of light. Without practise, no amount of instruction will improve your ability to apply what you want to do.

I once heard a former player for the legendary University of Oklahoma football coach, Barry Switzer ask his coach why they had to run these plays a thousand times in practise. Barry's answer was classic..."...because 999 is not enough". His point was to make the execution of the plays instinctive and that comes with repetition. The same applies to learning how to employ techniques that capture character. The more practise you get, the more instinctive it becomes, and eventually you begin to see or visualize the end result before you ever snap an image. Practise not only involves the mechanics, it involves the mental aspects as well. Learning to see photographically and thus learning how to capture character only comes with a great deal of perseverance.

Becoming instinctive is the key. If you have to think about what you are doing all the time, your results will often reflect the indecision you are encountering. Of course at first you do have to think about it, but go about it in a creative way by asking yourself, 'I wonder...or What if...or I want to see what this does.' Sometimes what you experiment with may work in one situation but not in another. Regardless if it works or not, you will have learned something in the process.

This applies to every form of photography. Think conceptually about finding character in the moment and move away from simply photographing things. Use this wonderful element called Light to your advantage and apply it in as many ways as you can imagine for imagination is what will elevate the character of your photography to a newer, higher plain of accomplishment.