ESTABLISHED 2010 - Beyond The Campfire was created to encourage readers to explore the great outdoors and to observe it close up. Get out and take a hike, go fishing or canoeing, or simply stretch out on a blanket under a summer sky...and take your camera along. We'll talk about combining outdoor activities with photography. We'll look at everything from improving your understanding of the basics of photography to more advanced techniques including things like how to see photographically and capturing the light. We'll explore the night sky, location shoots, using off camera speedlights along with nature and landscape. Grab your camera...strap on your hiking boots...and join me. I think you will enjoy the adventure.

Saturday, January 27, 2024

When the Weather is Bad...It's Really, Really Good

 The deep freeze that settled over Kentucky left its winter signature over the landscape with snow and sub freezing temperatures that extended for the better part of a week. All the ponds froze and even the larger lakes became encrusted with a layer of ice. By the beginning of the second week, warmer temperatures infiltrated along with a steady supply of rain that swamped the landscape for another week. Two weeks of bad weather and I loved it because, as a photographer, when the weather is bad, it is really, really good for capturing moody and dramatic light.

A break in the weather came toward the end of the icy week with broken clouds and blue sky peaking through. The daytime temps still hovered in the upper teens but I could not pass up the opportunity to return to one of my best rustic locations where the combination of snow, fence row, background trees, clouds, and sky offered one of those rare moments in Kentucky when all the ingredients fall into place for a winter wonderland scenic landscape. 

My fingers turned into icicles as I stood in the open with exposed finger tips. So numb they became, I could not feel the shutter release button and struggled to fired off the shots. Even so, I did manage to capture a few images, and my fingers quickly thawed once I returned to the confines of my Jeep.

I did manage to get out a few more times and photographed the local deer herd in the snow along with other landscape scenes. Always exciting to photograph deer in the fields. Add a layer of snow and cold air, the experience becomes almost surreal. Overcast skies and soft blue light gave the scene an historical measure as though being transported back in time to another era. Being warmly dressed, I braved the cold yet still felt its sting. All of it, every icy snowflake hitting my face, every numb finger, every chill infiltrating through the layers of clothing, was worth every moment.

Eventually, warmer weather settled in and the snow began to melt, but the ice covered ponds and lakes retained their icy mantle for several more days. This along with the rain and warmer temps created an amazing opportunity on Barren River Lake when fog drifted like a soft blanket across the still mushy frozen ice. I managed to spend most of a full day out there searching for and photographing this amazing combination of conditions.

With the rain and fog, it became so hazy, my camera found it difficult to find enough contrast to focus properly. I really had to struggle with it, but managed to make it all come together.

The fog was simply incredible in that it seemed to lay down close to the waters surface and slowly drift with the air currents which lifted the veil up and over the rugged shoreline and into the trees where it hovered like a ghostly apparition. It rained off and on, hard at times, but steady and eventually all that rain soaked through my rain gear and I became somewhat soggy. I loved it.

I made it over to the tailwaters area below the dam. There I discovered a good number of gulls flying around looking for something to eat as the small fish were washed through the turbines. I practiced following flying birds with my camera and big lens. Never been very good at such things, but did manage to catch a few shots of these amazingly graceful flyers. When spring comes, they will migrate back to their breeding grounds and will return again the next winter.


I must admit, it was fun to watch them zip and dart, then plunge into the water. If one happened to catch something, all the other gulls tried to steal it from him.

There were also Blue Herons standing in the tailwaters. Normally quite skittish, they seemed rather tame as I was able to easily approach them and capture a few images of their graceful stance.

The day became one of those iconic days, the kind of day that builds on the reservoir of memories collected from times past. I'll not long forget how the morning fog embraced the lakeshore and how the rain blended with the fog to create a soft misty atmosphere. Cold fingers, soggy clothing from leaky rain gear, constantly drying wet camera gear...yeah, when the weather turns bad, more often than not, it is good for the photographer. 


I suppose it is simply a matter of perspective, but one where you must be willing to charge into the moment and expect the best outcome regardless of the conditions. The roughly two weeks of marginal weather provided some wonderful opportunities to explore the best of nature at her...worst.




Tuesday, January 23, 2024

Black and White: What Makes It So Appealing

 The first time I gazed across and through an Ansel Adams photograph, I, for the first time, discovered the power and strength of a black and white photograph. Ever since that time so many years ago, black and white photography has held an appeal for me. Putting into words why that is, is much more difficult than actually creating the images, for black and white does not always appeal to everyone. It seems to take a deeper grasp of the revealing nature of black and white, one that comes from within as opposed to a simple visual connection. The roots of my journey into black and white photography flows back to my first attempts at photography as a youth when I first used my grandparents old Kodak Nbr 1 box film camera. From those early days until now, black and white inspires me to see the world through a different set of eyes, and that inspiration helps me to lift the veil inherent within a color photograph to reveal the hidden graphic nature of black and white.

We live in a world filled with color, yet even today with all the technology available to the photographer, there is still a place for black and white. A black and white image is timeless in that what is captured and printed could very well be a throwback to a hundred years before. The distraction of color has been removed and what is left is the vision the photographer encountered during a single moment in time.

It takes a different way of seeing to look past the color world and identify the textures, shapes, forms, compositional elements, contrasts, and power of the light, that remains. Finding it is often illusive. Capturing it not always easy. Yet when it is there, the trained eye can look past what nature shows us in color, to identify a hidden appeal where all of those elements just mentioned come to life. Knowing what will translate well into a black and white image comes with experience and that is gained through a willingness to try something new.

Walking away from what we see naturally, is not always readily accomplished. Yet, when it works, the strength of the moment stands apart from what was at one time a simple visual occurrence, to become a transformed emotional graphic representation of what was felt. In fact, once color has been removed, all that remains is the emotional experience, and black and white can effectively capture those moments like no other visual medium.



Wednesday, January 17, 2024

Winter Photography - Whitetail Deer, Sandhill Cranes, and A Coyote

 A cold front fell across Kentucky this week, the kind where the landscape froze under a blanket of snow and the wind knifed through every layer of clothing. Along with it came a photographic opportunity I could simply not pass up. In spite of the frigid temperatures, I ventured to the cornfields and setup my simple camo-burlap blind and waited for the deer to find their way into their feeding grounds. 


During that wait, a flight of about two hundred Sandhill Cranes flew over, their ancient migration a right of passage for all nature photographers. Although they did not set down in front of my location, they did set down nearby. Just seeing them was reward enough. 

A short while later I noticed some movement across the cornstubble. A quick look through the camera's long lense revealed a coyote searching for a meal. He was not typical of most coyotes around here. He looked strong and healthy and his thick coat carried a lot of black across his back and sides and the length of his tail. He also had a while chin and lower neck. I thought he might have been what is known as a coydog, a cross between a wild coyote and a domesticated dog. Regardless, he was fun to watch.

After a while he trotted the length of the field and crossed in front of me and passed over into the other western field. A few moments later, I heard snorts of distress and alarm from the deer as they encountered this marauding hunter. The coyote must have caught something for there was a continuous crying of alarm sounding a lot like a dying rabbit, but not exactly the same. It also carried the sound of a young deer being alarmed, the kind of sound that alerted and agitated the deer herd. They, wanting to distance themselves from the coyote, entered the field in front of me where I was able to capture both video and still shots of these amazing animals.

Come and join me on this fascinating, very cold and snowy, photographic hunt across the farm country of Kentucky.