Get It Right In Camera

Photoshop and all its derivatives have revolutionized photo processing so much so that very few photographers including myself could hardly survive as such without it. I'd venture to say that Ansel Adams himself would love Photoshop and rightly so because when used within its magical abilities, photoshop will transform marginally exposed images into works of art.

Photoshop with all of its power has also created a lot of lazy photographers. Indeed, digital photography in general has contributed to that laziness with its instant gratification. I feel fortunate to have studied the basics of photography during the days of manual film cameras. For having done so I do believe has helped me become a stronger photographer across the entire spectrum of the art form. Oh I still have a lot to grasp and must in time continue to develop my technique so as to improve my skills, but having studied during the time when you had to get it right in camera before you ever saw the image has proven an invaluable asset.

As a result, even today with the versatility and advantages digital cameras provide, I still strive to get my images right in the camera before downloading for processing. There are several reasons why.

First of all, its just a force of habit. I am always thinking in terms of f-stop, aperture, ISO, shutter speed, lens selections, and composition. Digital cameras today make it relatively easy to get the shot close but I want more than close. I want it as close to dead on as I can get. It is amazing how often I hear someone say, 'I have a good camera...I just put it program mode and it gets everything right'. Most of the time I simply smile and ask what kind of camera they have. Remarks like that reveal how little the person understands what the camera is actually doing. To truly take advantage of the power inside that camera, you still have to understand what it is doing.

Secondly, by getting the shot right in camera, any post processing that must be done is simplified. The majority of the digital images I take require minimal post processing. A slight tweak of contrast and brightness, and small amount of sharpening, and an occasional touch of color correction, and I am done. Most pictures I can do in less than a minute with the exception of portraits which generally take longer because of the requirements to get the skin tones and softening correct.

Thirdly, I want to stay engaged with the photographic process. It is part of the craft of photography to think through the problem and apply the correct solution. It is like the difference between using a stamp to mechanically create something over and over, verses building it from scratch with your hands. The satisfaction level is so much greater and the quality of the finished product becomes readily evident.

Lastly, getting in right in camera is not unlike painting a beautiful picture on a blank piece of canvas using all the artistic techniques and tools to capture a unique moment in time. It certainly is more difficult, but the rewards are so much greater for having done so. It also allows you to become much more creative. When you understand what is happening and why the camera does what it does, you begin to bridge the gap between being a simple picture taker of things capturing xerox images of what you see to becoming someone who can visualize the end result before you ever release the shutter. That is what artist do, they create works of art that stir the soul. Striving to get it right in camera elevates your photography to that next level of understanding what it means to become an artitist.

Capturing Character

Character is to photography like flavor is to food. It becomes what is savored the most. The image comes alive because of the visual appeal it presents and becomes the defining essence of whatever it is you are photographing. Whether a portrait or a landscape, every photographic opportunity is defined by its character. Capturing character therefore becomes one of the utmost important missions for every photographer. Recognizing character, then capturing it comes with experience.

Recognizing photographic character may in fact be one of the most difficult principles to master for photographers of all levels. Partly because there is such a wide range of possibilities, one can easily look right past it. One of the more obvious points of character is found with capturing people. Creating compelling portraits is all about capturing character. Without it, all you have is a Xerox image of someone. Character is what defines their personality and character definition is most often associated with how you use light and shadows to enhance the persons features. Soft light, harsh light, back light, sidelight, direct light, filtered light, defused light, daylight, low light, shadow light, big light, small light, all of these play a role in defining the character of the person you are photographing. Recognizing which one to use for each individual moment requires you understand the effects each of these can have on your subject. To develop this understanding requires that you shoot using all of these kinds of light. Without practise, no amount of instruction will improve your ability to apply what you want to do.

I once heard a former player for the legendary University of Oklahoma football coach, Barry Switzer ask his coach why they had to run these plays a thousand times in practise. Barry's answer was classic..."...because 999 is not enough". His point was to make the execution of the plays instinctive and that comes with repetition. The same applies to learning how to employ techniques that capture character. The more practise you get, the more instinctive it becomes, and eventually you begin to see or visualize the end result before you ever snap an image. Practise not only involves the mechanics, it involves the mental aspects as well. Learning to see photographically and thus learning how to capture character only comes with a great deal of perseverance.

Becoming instinctive is the key. If you have to think about what you are doing all the time, your results will often reflect the indecision you are encountering. Of course at first you do have to think about it, but go about it in a creative way by asking yourself, 'I wonder...or What if...or I want to see what this does.' Sometimes what you experiment with may work in one situation but not in another. Regardless if it works or not, you will have learned something in the process.

This applies to every form of photography. Think conceptually about finding character in the moment and move away from simply photographing things. Use this wonderful element called Light to your advantage and apply it in as many ways as you can imagine for imagination is what will elevate the character of your photography to a newer, higher plain of accomplishment.

What I learned about photography during 2016

Every year I learn something new about photography. Sometimes what I learn is simple and sometimes what I learn really opens my eyes. What is most important is to keep learning. So here's a list of insights about photography I gained this past year.

1.  Old lenses are just as good as new ones...they're just cheaper to buy.

2.  It is good to look through your old photographs to see how far you have come...and to verify how far you still need to go.

3.  Stick to what you know to perfect it, but do not be afraid to branch out and try new things.

4.  Focusing on a project regardless of its scope is more efficient than taking random pictures and relying on random chance.

5.  Take notes and write about your experiences in the field. Keep them in some kind of journal or blog, then take time to read back through them from time to time.

5a. Don't worry about your writing skills, just write...your skills will improve over time as will your understanding of photographic principles. The writing helps you understand what is happening.

6.  There is a difference between being 'Well Dreamnt' and creating experiences by following your dreams.

7.  Photographing in the middle of the day in bright sun is actually okay provided you do it wisely and understand how to use the sun to your advantage.

8.  Even small weddings are hard to photograph effectively by yourself...but they are also very rewarding to do.

9.  Backup everything right away...and keep extra SD cards available...they can fail on you.

10. Share you work with others and always be open to critical review...others see your work differently and can provide insightful criticism.

11. Spend lots of time admiring other photographers work, but review it from the persepctive of 'How did they do that'...and then see if you can duplicate the technique.

12. Not all photography has to be a work of art. Snapshots are important family history pictures.

13. When photographing a group of teenagers...feed off their energy and use their energy to generate those magical moments.

14. Teenagers are great!

15. Shooting with off camera speed-lights doubles your potential as a photographer. Use them creatively and avoid the cliche.

16. Big skies are amazing but sometimes difficult to find in Kentucky.

17. Photograph everything...don't just always shoot the ordinary subjects. Look at the world with a creative eye and even a static display can become a work of art.

18. Harvest time can provide some fantastic photo ops.

19. Not everyone is as enthusiastic about photography as you are...but that is okay.

20. and finally....Find some time to just have fun with it and don't worry about always having to create a great image. The great moments will come...but when they don't, just have fun.

Indian Summer

Fall..a time for change...a season of transition, possibly my favorite time of year for many reasons. No other time does the array of colors adorn the landscape. Reds, greens, yellows, orange, and brown all provided in vaious shades and intensities. The same can be said about the weather, cool crisp evenings, blustery days, blue skies and clear vistas are just some of what is instore, but no other time does Indian Summer wrap itself around us with a cloak of warmth and color.

When the fall colors arrive, I believe they were created to allow the sun an opportunity to vibrate with excitement, to show us another side of life where brilliance and tone become the standard. As a photographer, one simply has to take advantage of the moment, for the moment will not last. Before long Indian Summer fades into a slumber, not to be stirred from its sleep until the next fall season.

My favorite time of year, well more often than not, it is the one I find myself in at any given moment, yet today served itself well as I discovered myself absorbing the soothing fragrance that is Indian Summer, allowing its warmth to cleanse what ailes me, to suspend me above old wounds, to slow down for a while and remember what is good about life.

Nbr 6 - What I like About This Shot - Super Moon Above the Corvette Museum

Seems to me we've had several Super Moon events in recent times. Seems like each time they say we won't see this again for X nbr of years...then before long another one appears. Doesn't make much difference in the scheme of things except to provide a photographer an excuse to get out and take some interesting shots.

I've photographed the moon dozens of times, mostly when it is not full because the shadows of a partially lit moon bring out a more interesting array of features. Full moons however, have an almost mystic complexity to them. It is the kind of complexity where one is drawn into its mystery. It is not difficult to photograph the moon as long as you approach it with the right set of exposure values. What is more difficult is to place the moon inside an interesting composition, one where its mystery, its history, its magical properties are all inner woven into the fabric of the composition.

This image was taken during the latest and greatest 2016 super moon event. To be honest, I wasn't even contemplating getting out to photograph it until a friend called me and asked if I would join him and another person at the Corvette Museum to photograph the event. It turned out to be a good decision. For several months, years really, I've wanted to photograph the Sky Dome and pinnacle portion of the museum as it is a unique archetechural design, just never made time to do so. The Sky Dome, if you recall, is where the sinkhole opened up and dumped 8 beautifully restored Corvettes into the abys. Five of those cars were completely destroyed with no hope of being re-restored. The standing water sits in the bottom of another ancient sinkhole and there are several other ones nearby. So there is a bit of historical and geological significance with this location.

I must admit something here, well two somethings really. First of all, yes the moon did appear above the museum and it was magnificent. Secondly...it wasn't exactly in this location. It was close, just a bit further to the right off the frame from this angle. Also, the Sky Dome image was taken before the moon appeared, to take advantage of the twilight sky and reflection in the water pool. I also used a one-stop graduated neutral density filter to bring the sky and its reflection into exposure sync . A separate shot of the moon was captured with a longer focal length lense and superimposed it into this composition slightly to the left of where it actually would have been. Had you been standing at a slightly different angle a few yards to the left, the moon rise looked very much like this but would not have been reflected in the water. I simply took my artist perogative and moved it slightly to create a more interesting composition. Some purist will frown at me for having done this. Frankly, I'm not concerned about it. The technique is nothing new or unethical and the end result speaks for itself and reflects the true nature of this magical moment.

So having clarified the situation...What do I like about this image? Compositonally it is very strong. The color contrasts between the Sky Dome and the sky create a vibration of opposing colors. The moon simply places the composition into a unique moment in time and adds a spectacular element of interest...and yes, it really did look like this for the most part, and that is what makes it a fun image.

Nbr 5 - What I like about this Shot - Moon Snow

Winter is one of the most demanding of times to photograph. It can also be one of the most amazing. Skies can turn crystal clear or they can turn ominous and dark. You will discover a fresh crispness not found any other time of year. Winter also presents itself as daily new photographic opportunities, and when the day turns white the opportunity becomes magical. During the winter of '15 - '16 Kentucky was turned into a brilliant world of white experiencing one of the heaviest snowfalls on record. It was a photo opportunity the likes of which I have rarely been accustomed to.

As a photographer I often either plan my outings or at least have an idea of what I want to accomplish. Sometimes, things just happen and I get lucky. Moon Snow is one such image. The sun was still fifteen or twenty minutes from rising and the moon was about the same amount of time from setting. During this time one can experience one of the most interesting astronomical phenomenons. Just before the sun rises and because of the curvature of the earth the sun rays will often penetrate through the upper layers of the atmosphere and cause two things to happen. One, to the west, the earth will cast its shadow into the lower levels of the atmosphere and the sun's rays will cause the upper layers to glow pink. These can be easily seen on clear mornings. On this morning, there was a near full moon about to set and because the sky was clear, the shadow and pink glow are readily visible in this image. Just above ground level there is a dark band...this is the earths shadow being cast into the atmosphere. Above the shadow is the pink glow...caused by the suns rays penetrating through the atmosphere, and to the left of the old shed sits the moon.

Why do I like this shot? It captures this lighting phenomenon as well as any I've ever made and the image retains that still, penetrating coldness that is so much a part of what capturing  the flavor of winter is all about.