Seeing The Shot - Finding The Shot - Making The Shot

 The morning began with a great deal of potential. The sky held a brilliant blue streaked with a combination of high thin clouds and softer, rounder varieties. For a photographer looking for an opportunity to create a black and white photograph, the conditions played well into my plans. The problem was, I was not seeing the shot.

I had returned to a favorite location where photo ops have presented themselves before. On this day, I managed to take a few photos which proved themselves subpar duplications of previous shots I had made months before. I was looking for something newer, fresher, that stood out from the ordinary. I just could not see it. After a while, I decided to call it a shoot and head on home.

I turned onto the main road and enjoyed the speed generated breeze that whipped through my Jeep. A few miles later out of the corner of my eye, I spied a row of trees that stretched across the top edge of a shallow rise a few hundred yards or so off the road to the west. The sky, burnished with high streaking clouds, almost seemed to glow with a brilliance I had not yet seen that day. A quarter mile later, I reversed course and eventually pulled off the road where a commanding view of the scene prevailed.

Within a few moments, I had my photo of the day. What made the shot, was the ability to see it, find it, and make it.

Seeing the shot often comes suddenly many times out of the corner of your eye. Something stands apart that catches your interest. A shape, a reflection, movement, contrasts, something familiar yet different, something that stands apart from the routine and ordinary background. Seeing it comes in flashes. It just appears out of nowhere sometimes. Its recognizable but not necessarily familiar. The more you photograph, the more your eye develops that ability to see beyond the routine, and through the ordinary, to lock onto that which stands apart.

Finding the shot is the refining process the photographer goes through once he sees the shot. Our eyes see in a wide angled view and can be confused by all the additional clutter that surrounds the potential. Finding the shot is where you as the photographer wade through the clutter to visually define the shot. Which lens to use, exposure values, where to stand, low angle, higher angle, left or right, where to place the horizon; low in the frame or higher up. In finding the shot, you define the parameters and boundaries that frames and refines what your eye initially saw.

Making the shot requires patience. It is when after you define the parameters, you wait for the defining moment to capture the image. Waiting on the light, clouds to shift their position, should I return when the light is lower in the sky or higher, these among other intangible factors all work together to complete the photographic process.

All of these becomes instinctive over time. They do not always require conscious thought, but they do require a sixth sense of sort, the kind of sense that just happens and is difficult to define or explain. When you see it, you know it. When you find it, its obvious, when you make it you know the time is now and then walk away with a good feeling having captured something of the heart.

Being in the Moment: Finding the Right Place to Stand

 Many factors influence what makes a great photograph, choosing where to stand certainly counts as one of if not the most important. It sounds so basic, yet is perhaps one of the most overlooked and encompassing of all the factors because it transcends routine 'raise the camera and shoot' techniques and requires the photographer to make a discerning decision.

A wrong or indifferent perspective can cause a potentially great photograph to look ordinary and subpar. The best perspective can be something as simple as moving a few inches to the right or left, or kneeling down to ground level, or standing on the bumper of your car to get a little higher. It can also become as demanding as hiking across a damp field of waist high weeds, or climbing to the top of a ridge, or wading out into the middle of a stream, or lying down in a muddy field. Finding the right place to stand is the first foundational element of capturing a great photograph.

Other elements come into play as well. Time of day, lighting conditions or waiting for the light to shift, sun angles, season, weather, type of lens, exposure values, all of these and more serve as supporting elements from where to begin which is deciding where to stand. 

Before snapping the shutter, the first thing I do is to look at the edges of the frame. Is what is there necessary for the success of the photo? Are there distractions? If I move to the right or left or up or down or will swapping out my lense improve the framing...what about walking to the other side of the field? Will doing so improve the perspective?

Making a decision on where to stand comes with experience and eventually becomes instinctive. Always shooting from eye level and/or being unwilling to move around to make the required effort to discover the best perspective is a recipe of the ordinary. 

 Before long, you begin to more clearly see the elements of a scene and determine what is important and what is not. Observing what is there and then determining if what is there is required for the image you see in your mind is what helps develop the ability to visualize the shot before you take it. You saw something that caught your interest, but in every situation there are distracting and unnecessary elements. Fine tuning those initial visual evaluations by making the effort to find the right place to stand will refine and improve the final results.

 

The image on the left is one such photo. Taken at sunrise on a blustery late-fall day, this gravel road led to a rustic farmhouse nestled amongst a grove of trees. The main road ran perpendicular to this gravel road, but from the intersection of the two, the perspective was not right. Too much road to work with, and too far away from the main subject, so instead I walked a couple hundred yards or so down the road and stopped at the base of a shallow rise that rolled over and dipped a few yards on the other side. Fence posts lined the sides and cornstubble filled the pastures on either side. I tried a low down perspective which did not work; it flattened out the road too much. I looked at the framing from eye level which was not quite right, so I raised the tripod neck as high as it would go which gave me a few more inches higher than my eye level. It was just enough to capture the hump and dip and include the length of the old road as it flowed into the scene. Shifting to the right just a little, allowed the first fence post on the right to come into view which helped frame the scene. The rest was simply to wait on the light and set the correct exposure. Finding the right place to stand is what made this image work.

Being in the moment and finding the right place to stand is what separates an informed photographer with a trained eye, from an average picture taker. Not unlike a structure needing a strong foundation on which to be built, a great photograph requires a strong foundation as well, and that begins with knowing where to stand.

Being in The Moment: A Time To Reflect

 There are moments afield with camera in hand when the experience stands apart separated from the ordinary and the routine by extraordinary circumstances. During those moments, words rarely capture the emotional uplifting one may sense. The feeling is often greater that what is observed. It becomes a time of reflection when memories from long ago are resurrected, and the hopes and dreams of tomorrow take on new importance. There is a blending of the two, however brief they may seem, when the events of nature bring into focus those fond memories of the past and those yet to come.

There are times my heart is coaxed into action by an overwhelming need to reconnect with what nature has to offer. Yet, far too easy it becomes to ignore such callings, and far too often have I missed extraordinary moments of the heart. Encouraging myself to seek out a chance rendezvous more often than not results in rediscovering the importance of reconnecting with nature. 

As I have grown older my heart has grown more thirsty for such things. Quenching that thirst can best be accomplished by making the time to place myself where nature offers, in all of her wonderful blends, the sweet air of awakening.

Being in the moment is about slowing down to observe and reflect on what nature gives, so as to open the places of the heart where memories are stored along with the emotions of a single moment in time.

Capturing the defining instant with a camera when light and heart are joined, well, that is just a small part of the rewards one receives for having been there.

Being in the Moment - Chasing The Sun - Part 2

 New BTC Video: Part 2 of  Being in the Moment - Chasing the Sun - A return overnight canoe trip to Barren River Lake where I am greeted with not only an amazing sunset, but an equally amazing sunrise the next morning.  

Being In The Moment - Chasing The Sun

 In order to truly find yourself in the moment, often requires following a simple axiom; Be willing to place yourself at that point of greatest potential. It is an axiom I learned from a former National Geographic photographer, Dewitt Jones, and many times employing this concept to my photographic efforts has resulted in some amazing opportunities.

As I continue Chasing The Sun as a new project, applying that basic principle of being at the right place at the right time along with being technically prepared has once again proven itself a viable approach to capturing unique moments of light. Making it work requires planning and forethought along with some timely luck. 

Part 1 has now been posted. Please enjoy!

Part 2 of this project will take me to a location I have visited a good number of times the past few years, Barren River Lake. The plan is to canoe into a new campsite and be ready for what nature may present. While pursuing this project, I will explore how the sun offers itself as a photographic entity. The nature of this will require I photograph sunsets and sunrises, but not exclusively, for I will also attempt to capture how the morning light or evening light indirectly affects the landscape. Those kind of shots are often the most difficult to plan for.

Being In The Moment - A New Project Series

 The view materialized out of a moment of insight, a single flash of time and place caught from the edge of my eye. All of it, a sky filled with clusters of brilliant white clouds drifting across is face, an old weathered fence stretching along the flowered country scene, a tangled spit of woods searching for the breeze atop a shallow hill, and colors of a landscape filled with crisp and clean contrasts, all of it at once came into view stirring an instinctive reaction from within. 

My Jeep slowed as I applied brakes, then rolled to a stop. The gears rattled as I shifted into reverse to backup a few dozen yards so I could step outside. The total scene more clearly came into view as all the elements filled my vision, and my heart told me, '...this is the moment...'  I stood silent alongside the road...in the moment...soaking in the profound simplicity of the scene, one possessed with all the ingredients for a fine landscape, but even more so, it possessed intangible abilities to create that rare, personal experience of being in the moment.

Being in the Moment. When it comes down to a simple definition of what Beyond The Campfire represents as an outdoor/photography site blog, being in the moment best describes what it is all about. It took me a while to realize just how much so, and only recently did this idea make itself known. I suppose I unknowingly knew it deep inside, but somehow managed to miss the mark while attempting to define the nature of this site. 

Recently, I just finished a fantastic project, The Ansel Adams Project, where I sought out photographic opportunities that would translate well into Ansel Adams style of black and white images. It is the kind of project that never actually ends, I just refocus in another direction. I learned a great deal about myself, about photography, and about just how important being in the moment meant while chasing after Ansel Adams style of images. It was not only a fun and exciting project, it opened my eyes to a whole new realm of what I am capable of achieving.

Searching for a new project theme often requires a lot of effort and thought. This in the moment theme at first glance offers a wide range of possibilities and challenges, but the kind of challenges I thrive on. I love being outdoors, canoeing, backpacking, or just a simple walk in the woods. Sharing those moments help to reinforce just how important participating in them can become.

I'm looking forward to seeing how this concept plays out. Hope all of you follow along as I chase after not only photographic opportunities, but outdoor adventures as well. I can see how my YouTube site can benefit from such an undertaking and plan on creating a series of video programs that chronicle the adventure. The first in the series, Coming soon; Chasing The Sun. 

Come and join me, beyond the campfire, as I begin a new and exciting project called, Being In The Moment.

The Ansel Adams Project - 2023

 It's a wrap! The final part three video of the Ansel Adams Project. Although I will continue to pursue this fascinating style of photography, the project will be put to sleep for now. It's been an amazing and rewarding journey. Please enjoy...The Ansel Adams Project - 2023.