Photographing Changing Light

Here in Kentucky, the back roads tend to loop around in a seemingly chaotic chorus of twists and turns.  On numerous occasions, I've found my self well maybe not lost...just turned around and confused as to where I really was at the moment.  Drive around long enough and those looping roads will probably reconnect to a more familiar main road someplace.

On one such recent adventure that happened again...only this time it turned out to be a good thing.  The last few weeks a lot of foggy mornings had tempted me to an early rise and to head out to find a great photographic moment.  What I wanted was a high vantage point...but someplace I had not tried before...or at least recently.

Last Saturday morning I headed over toward Shanty Hollow Lake...a favorite canoeing place of mine...hoping to take advantage of the higher vantage points along the old highway 185.  Well, to get there I must navigate a series of lesser roads...roads I've traveled several times and know pretty well.  But, on this morning the fog was a bit thicker than usual and when I came upon a fork in the road where I normally take the left fork...I completely missed it and went right instead.

I drove about a half mile before I realized my mistake...by then I just decided to keep on going and see what I could find.  A few miles later I drove past a nice looking large pond that appeared rather ghostly out of the fog.  I turned around and parked on the back side of it down another side road and gathered my camera gear.

The sun was a good 30 minutes yet from rising, but with the subdued light and misty conditions the photographic value of the moment was very high.  I spent the next 45 minutes shooting as the light seemed to change every couple or so.  It went from gray to blue to lavender to golden and back to gray.  The only filter used was a graduated neutral density filter to blend the sky with the water reflections.

Before I pulled out that morning shoot turned out to be one of the best of the summer and a prime example of how light can rapidly change...and all because of a wrong turn.

Here's a link to see more of the mornings shoot:
http://www.sunnysixteen.org/gallery3/index.php/Keith_Bridgman/Kentucky-Summer---2

One of a Kind

One of my favorite photographs is one I took a number of years ago while I was still shooting with film...slide film actually.  It is one I have featured a time or two already...maybe you've seen it...It is a photo of a common Queen Annes Lace silhouetted against a setting sun.  It is a very striking image primarily because of its simplicity and I have used it to illustrate that concept numerous times.

Oddly enough, I've never been able to duplicate that photo with my digital camera...trust me I have tried.  That fact proves a number of points...one in particular being that each photograph we take is a unique capture of time and place.  Odds are I will never be able to duplicate that shot exactly primarily because digital images tend to be a bit different in their technical merits than images taken with transparency film.  Slide film has a different richness and depth to it that digital just can't quite catch up to.  I'll probably never go back to shooting film because of the cost factor more than anything and because digital images provide so many advantages over film that the slight technical differences between them is not enough to warrant that kind of retrograde switch.  Even so, I have often felt that shooting transparency film will make a better photographer out of someone than digital.

There is a story to how I captured that one image, a story that illustrates the need to understand how to see photographically and how as a photographer you do what you have to do to get the shot.  It was a typical late summer day in Kentucky and I found myself driving over to an area I had visited several times.  In this area one can find multitudes of photo opportunities all within a compact area.  There are fence rows, high vantage points, a small creek, rolling hills, and country flavor all around.  On that day I had been shooting for several hours late in the afternoon and was reaching the end of my film stock.  It was late in evening and the sun was a few minutes from dropping behind the ridge that stretched across the west end of a pasture that spread out across a shallow valley.  Along the old road and fence were hundreds of Queen Annes swaying in the gentle breeze.

I stopped along a wide spot in the road hoping to capture one of those amazing Kentucky sunsets, but the sky was very hazy and the conditions just were not going to develop the way I hoped for.  I was down to my last shot on that roll when I noticed a single Queen Anne standing straight and tall on the other side of the barbed wire fence.  I bent low to take a look and realized that if I could get into the right position I could line up the flower head against the glowing disk of the sun as it hovered above the ridge...but I'd have hurry to catch it just right.  I only had the one shot left, so I made a quick evaluation of what I needed in exposure value and bumped the compensation factor up by somewhere around a +1.0.

I'm always amazed at just how fast the sun sets when it gets close to the horizon and I really only had at best less than a minute to get the shot lined up.  Problem was I couldn't get into position quickly enough without crossing the fence and by the time I might have tried I would have missed the opportunity.  So, I quickly disconnected the camera from the tripod and leaned through the barbed wire fence and stretched as far as I could to line up the shot.  It turned out I just could not quite lean far enough to center the flower head on the suns disk.  I was straining so hard to maintain my balance I was about to fall and or get a cramp...so I lined it up as best as I could and fired off the shot.

A few days later after I picked up the processed slides, I thumbed through all 36 exposures and frowned at most of the results...then I came to the very last one...my Queen Anne shot...and I knew at first glance that my days work had not been in vain.  It was the only image from the batch I did anything with.  After scanning it I placed into Photoshop...made a few minor tweaks...and the rest is history.

Close...but not the same.

Seems the fact that I was unable to center the flower on the sun proved to be a blessing disguise as the actual image proved to be much more dramatic being offset the way it was.  Over the years, it has become one of my favorite shots of all time.

As I mentioned previously, I've tried to duplicate that shot with my digital camera...to no avail...but in doing so I have come to the realization that sometimes we just get lucky.  That one quick shot proved to be one of a kind and any attempts to duplicate it could never really surpass the effects of the original.  Maybe someday if the right combination of circumstances presents itself, I just might be able to come close...but until then, I'll just enjoy the original.

Keith