ESTABLISHED 2010 - Beyond The Campfire was created to encourage readers to explore the great outdoors and to observe it close up. Get out and take a hike, go fishing or canoeing, or simply stretch out on a blanket under a summer sky...and take your camera along. We'll talk about combining outdoor activities with photography. We'll look at everything from improving your understanding of the basics of photography to more advanced techniques including things like how to see photographically and capturing the light. We'll explore the night sky, location shoots, using off camera speedlights along with nature and landscape. Grab your camera...strap on your hiking boots...and join me. I think you will enjoy the adventure.

Wednesday, January 31, 2024

Fighting Kentucky Bucks: A Chance Encounter

 I love photographing the deer who frequent the fields and woodlands behind where I live. Kentucky is home to a healthy and diverse selection of Whitetail Deer and there is a local herd that has provided many fun photographic opportunities. A late evening chance encounter on a chilly, January day offered a wonderful photo op. Two nice bucks were but two of several deer feeding in the fields and they provided a natural show where their instinctive desire to dominate other bucks played out in front of my camera.


As they tend to do, late on this January day about a dozen or so deer meandered into the cornstubble fields behind my house. I had setup in a slightly different location from my normal spot in an attempt to gain better viewing of three fields. I kept my setup simple wearing camo clothing along with a leafy camo top covering. I also simply covered my camera and tripod with a small piece of camo burlap just to break up its pattern and to provide a small area for me to sit behind to also help mask any movements the deer might detect. It was simple and effective.

I sat under a large cedar tree situated on a corner of a wooded area which provided a dark background that helped to conceal and break up my silhouette. I had managed to capture quite a few images and some video footage and was about to lose most of the light. It was overcast and dark anyway, and as the day progressed toward sundown, the light rapidly faded. As the deer in front of me meandered away I thought it a good time to pack up and leave so as not to disturb them. 

As I gathered my gear, I noticed across the field to the northwest, several deer feeding. I zoomed in to take a look and found at least four bucks, two of which supporting pretty decent antlers. A third one looked odd and at closer inspection I discovered one of his antlers had broken off so he only had antlers on one side. That was unfortunate because the one he did have looked to be the largest of the three bucks. He eventually wandered off but the two others remained and to my surprise they began to spar with each other.

By this time the daylight grew darker every minute and they were a good 300 yards away. Even so, I could not pass up this opportunity and repositioned my tripod and zoomed in as far as my 500mm lens would take me.  It provided just enough reach and allowed for the capture of several minutes worth of those two going at it with each other.

Eventually, the light simply grew to low and I had to let them go, but being able to witness these two spar the way they did was a wonderful chance encounter. Sometimes events just happen and we find ourselves in the right place at the right time. Never had I witnessed in the wild two bucks sparring like that before. It was clear they were simply sparring and not aggressively fighting, but enough mild aggression from both gave the encounter a sense rawness in nature. 

Photographing deer in their natural environment partaking of their natural behavior unaware of you the photographers presence is always a challenge. Their senses are so defined they will detect the slightest of movements or lock onto the softest of unnatural sounds. The chatter of my camera's shutter release, although not particularly loud, but rather soft in nature, is still different enough from the natural sounds they hear all the time. They will pick up and lock onto the direction of the sound with ease. Often they will study with their keen eyes where that sound is coming from. Even though I always wear camouflaged clothing and a face mask, plus hide either behind a makeshift or natural blind, it seems they always locate me. 


To get close enough to capture compelling images is always a challenge even with a large telephoto lens. Deer possess that uncanny ability to know their surroundings and when anything is out of sync, they will investigate and then run off. It is why they have survived for as long as they have. I am truly fortunate to have a location I can easily access and photograph these amazing animals. So far, they seem to always have the last word in our interactions...but, that's perfectly okay with me. They challenge me and I keep learning...I still have much to learn about their behavior.

Saturday, January 27, 2024

When the Weather is Bad...It's Really, Really Good

 The deep freeze that settled over Kentucky left its winter signature over the landscape with snow and sub freezing temperatures that extended for the better part of a week. All the ponds froze and even the larger lakes became encrusted with a layer of ice. By the beginning of the second week, warmer temperatures infiltrated along with a steady supply of rain that swamped the landscape for another week. Two weeks of bad weather and I loved it because, as a photographer, when the weather is bad, it is really, really good for capturing moody and dramatic light.

A break in the weather came toward the end of the icy week with broken clouds and blue sky peaking through. The daytime temps still hovered in the upper teens but I could not pass up the opportunity to return to one of my best rustic locations where the combination of snow, fence row, background trees, clouds, and sky offered one of those rare moments in Kentucky when all the ingredients fall into place for a winter wonderland scenic landscape. 

My fingers turned into icicles as I stood in the open with exposed finger tips. So numb they became, I could not feel the shutter release button and struggled to fired off the shots. Even so, I did manage to capture a few images, and my fingers quickly thawed once I returned to the confines of my Jeep.

I did manage to get out a few more times and photographed the local deer herd in the snow along with other landscape scenes. Always exciting to photograph deer in the fields. Add a layer of snow and cold air, the experience becomes almost surreal. Overcast skies and soft blue light gave the scene an historical measure as though being transported back in time to another era. Being warmly dressed, I braved the cold yet still felt its sting. All of it, every icy snowflake hitting my face, every numb finger, every chill infiltrating through the layers of clothing, was worth every moment.

Eventually, warmer weather settled in and the snow began to melt, but the ice covered ponds and lakes retained their icy mantle for several more days. This along with the rain and warmer temps created an amazing opportunity on Barren River Lake when fog drifted like a soft blanket across the still mushy frozen ice. I managed to spend most of a full day out there searching for and photographing this amazing combination of conditions.

With the rain and fog, it became so hazy, my camera found it difficult to find enough contrast to focus properly. I really had to struggle with it, but managed to make it all come together.

The fog was simply incredible in that it seemed to lay down close to the waters surface and slowly drift with the air currents which lifted the veil up and over the rugged shoreline and into the trees where it hovered like a ghostly apparition. It rained off and on, hard at times, but steady and eventually all that rain soaked through my rain gear and I became somewhat soggy. I loved it.

I made it over to the tailwaters area below the dam. There I discovered a good number of gulls flying around looking for something to eat as the small fish were washed through the turbines. I practiced following flying birds with my camera and big lens. Never been very good at such things, but did manage to catch a few shots of these amazingly graceful flyers. When spring comes, they will migrate back to their breeding grounds and will return again the next winter.


I must admit, it was fun to watch them zip and dart, then plunge into the water. If one happened to catch something, all the other gulls tried to steal it from him.

There were also Blue Herons standing in the tailwaters. Normally quite skittish, they seemed rather tame as I was able to easily approach them and capture a few images of their graceful stance.

The day became one of those iconic days, the kind of day that builds on the reservoir of memories collected from times past. I'll not long forget how the morning fog embraced the lakeshore and how the rain blended with the fog to create a soft misty atmosphere. Cold fingers, soggy clothing from leaky rain gear, constantly drying wet camera gear...yeah, when the weather turns bad, more often than not, it is good for the photographer. 


I suppose it is simply a matter of perspective, but one where you must be willing to charge into the moment and expect the best outcome regardless of the conditions. The roughly two weeks of marginal weather provided some wonderful opportunities to explore the best of nature at her...worst.




Tuesday, January 23, 2024

Black and White: What Makes It So Appealing

 The first time I gazed across and through an Ansel Adams photograph, I, for the first time, discovered the power and strength of a black and white photograph. Ever since that time so many years ago, black and white photography has held an appeal for me. Putting into words why that is, is much more difficult than actually creating the images, for black and white does not always appeal to everyone. It seems to take a deeper grasp of the revealing nature of black and white, one that comes from within as opposed to a simple visual connection. The roots of my journey into black and white photography flows back to my first attempts at photography as a youth when I first used my grandparents old Kodak Nbr 1 box film camera. From those early days until now, black and white inspires me to see the world through a different set of eyes, and that inspiration helps me to lift the veil inherent within a color photograph to reveal the hidden graphic nature of black and white.

We live in a world filled with color, yet even today with all the technology available to the photographer, there is still a place for black and white. A black and white image is timeless in that what is captured and printed could very well be a throwback to a hundred years before. The distraction of color has been removed and what is left is the vision the photographer encountered during a single moment in time.

It takes a different way of seeing to look past the color world and identify the textures, shapes, forms, compositional elements, contrasts, and power of the light, that remains. Finding it is often illusive. Capturing it not always easy. Yet when it is there, the trained eye can look past what nature shows us in color, to identify a hidden appeal where all of those elements just mentioned come to life. Knowing what will translate well into a black and white image comes with experience and that is gained through a willingness to try something new.

Walking away from what we see naturally, is not always readily accomplished. Yet, when it works, the strength of the moment stands apart from what was at one time a simple visual occurrence, to become a transformed emotional graphic representation of what was felt. In fact, once color has been removed, all that remains is the emotional experience, and black and white can effectively capture those moments like no other visual medium.