The Natural World: Working on Some Environmental Wildlife Portraits

 I'm making a strong effort for 2023 to do more wildlife photography. Being more of a general nature photographer (among other types) I find myself looking for a way to blend the two forms of photography into a single style. I love seeing the details of a close up wildlife image. They can be truly amazing and the skill required to obtain such photo's takes time and effort to accomplish. However there is something to be said about the environmental wildlife portrait for capturing that kind of image requires a special skill all its own. 

 An environmental wildlife portrait simple means capturing a wild animal within its natural habitat and emphasizing the interactions between that habitat and the animal. Sometimes the wildlife can be relatively close in but most times the most effective way to showcase this type of image is for the wildlife to be at some distance away, yet close enough to be able to identify detail about the animal.

 Composition and light as always are the keys to a successful capture. Keeping close tabs on the weather, wind direction, sunrise or sunset times, all play a part in determining how to go about attempting to capture the combination of environment and wildness.

Witnessing wildlife in a natural setting is what being an amature naturalist photographer is all about. Not only must you be able to effectively use your camera to capture the image, in order to do that, you must have some semblance of knowledge about the wildlife you are attempting to photograph. It's important to understand their natural habits and how to apply that knowledge to your photography. Luck plays a roll, however, being knowledgeable is far more productive and rewarding. 

Patience is a virtue no wildlife photographer can do without. Sometimes wildlife simply do not cooperate. Being patient and perseverate eventually pays dividends in a capture that sets the standards of your photographic attempts. 

Depending on the situation, when I attempt to photograph wildlife I almost always wear darker and/or dull colored clothing and most times I will be dressed in full camouflage. When photographing deer, as with most wildlife, I make a strong effort to conceal myself and blend into the background as much as possible. How I do this is straightforward. In addition to the camo clothing, I will wear a face mask to hide my face which can be a bright spot in the middle of your concealment attempts. Moving your uncovered head back and forth will attract deer's attention pretty quickly. I also will wear dark or camouflaged gloves for the same reason.  

Hand movements can easily give away your position. I have several pair I use, all of them made with the fingertips exposed which makes it easier to work the camera controls. On really cold days, I have a pair of regular gloves with a small slit cut into the thumb and index finger so I can work the camera but also tuck the exposed fingertip back inside to protect it from the cold. With deer, I also use a compact piece of camouflaged burlap. I simply drape it around the front of the camera tripod and extend it to either side sometimes propping the ends up with a couple of small sticks I may find. This provides a easily transportable, quick, and effect blind I sit behind. When the wind is in my favor, and sitting behind this quick setup, I've had deer come within a few yards of me and never know I was there

Photographing wildlife requires you to be able to find wildlife to photograph. Backyard birds are an easy place to begin. They readily come to feeders and usually require only minor concealment to be able to get close to them. Placing feeders near trees or shrubs provide the birds a place to perch before and after they visit the feeder. A more elaborate setup if you have the space for it would be to setup your own perching locations. Vertically planting a couple of larger limbs in the ground for a base, you can attach cross limbs at various heights. 

Drilling a few small holes in the limbs allows for the placement of peanut butter mixed with birdseed. Woodpeckers love this and are fun to photograph. When you build your limb perch, place it some distance from the background. This provides several advantages for the birds and the photographer. Birds like a safe place to perch before feeding and your limb perch is a good attractant for them to perch on with cover nearby. With the background some distance away, this helps to create those blurred, soft background images that are so appealing.

Another good place to start is to simply sit next to a patch of wildflowers and watch closely. Within a few minutes you will begin to notice small insects and other forms of wildlife. These provide some really interesting subjects.

  A good macro lens helps but is not necessary. Just use a small telephoto and zoom in close to them.

Most states offer state parks and/or state owned wildlife management areas for use by the public. These can be great locations to find deer and other wildlife, just make sure you know the regulations for the areas. Other places like wildlife refuges can often be found nearby and they provide access to sometimes thousands of acres of habitat. Do a little research and give them a try and most of all remain patient. Wildlife will often prove frustrating, but that's part of the appeal of attempting to capture their portrait. Just remember, a good wildlife portrait does not always have to be a closeup. 

Environmental wildlife portraits, where the animal is only a small portion of the image, can often be extremely rewarding. They blend landscape, nature, and wildlife all in one photograph. So, being close is not a requirement. These kinds of photographs provide a wealth of scenic value.

Other good places to find wildlife is at local ponds or local lakes. Ponds will require a bit more concealment on your part, but are fun to sit beside and simply watch what happens. 

Dragonflies, birds, squirrels, are just a few of the visitors you may find at ponds. At some of the larger lakes you can also find migrating birds including gulls. They are graceful flyers, fun to watch, and a challenge to photograph.

Environmental wildlife photography is a year round opportunity. The change of seasons offers their unique blend of challenges. I love all four seasons and look forward to what they have to offer. Hope to see you out there.

Photographing Sandhill Cranes: The Challenges and Rewards - Part 1

The first time I ever saw Sandhill Cranes was a good number of years ago, well over 20 close to 25 years anyway, while I and a friend were on a late season goose hunt on Oklahoma's Canton Lake. The goose hunt was pretty much a bust but all through the morning we kept hearing this haunting chattel like call echoing off in the distance. Neither one of us knew what it was so we decided to investigate. Eventually we spied a large circling dome of birds hovering and spinning above a distant shallow arm of the lake. We still were not sure what they were but eventually made our way close enough to where they were setting down to be almost on the very edge of their group. A large span of tall grasses hid our advance as we worked our way closer. It was quite a sight to witness being where we were, all but in the middle of this amazing flight of exotic birds. The odd thing was, we still were not sure what they were.

A little investigation later that evening revealed their identity and I was forever mesmerized by their haunting call and graceful dance across the sky. Fast forward to more recent times. Living now in Kentucky opened up an all new array of photographic and outdoor adventures, and I learned about how a few thousand Sandhills would winter over around the Barren River Lake area. It did not take long to find them and I began to photograph them with a renewed vigor. After a few seasons of this, I learned about a new and exciting and much larger congregation of them near Seymour, Indiana, something like 30 to 40 thousand of them spend the winter there. The chase was on and over the next several seasons I ventured the 3 hour drive up there to capture and gaze in awe of the spectacle of watching all of those Sandhill lift off their roost just before sunrise to head for their feeding grounds.

Photographing Sandhill Cranes provides a range of challenges but also an abundance of rewards. They are quite wary with sharp eyesight. Getting close to them is not an easy task although I have discovered it is easier to do when there are a large number of them setting down in a cornfield. Numbers seem to provide for them a sense of security. Even so, they keep a sharp eye out for any intrusions and you can't just walk up to them and start photographing.

Trying to guess where they will be feeding is a gamble for they might decide one day to use a particular location and the next day go somewhere else. The most success I've had was to simply drive around until I spotted a large formation setting down in a field, then position myself reasonably close and use a long lens to capture them. I've tried to move closer at times only to have them bust skyward. I've even tried to set up a blind. This has worked on occasion, however it is a guessing game as to where they will be and I've lost many an hour waiting on the birds to show up that never do. Using my Jeep as a blind works pretty well, but I don't like doing that. I much prefer to be outside where I can experience the full range of the moment where large flights of the birds fly over and set down in distance fields. Being inside a blind or a vehicle limits the range of the visual experience in many instances blocking your view of the full sky.

I always wear dull colored or camouflaged clothing so as to blend as much as possible into the prevailing background. Just to explain how good their eyesight is, one time I was in full camo, top to bottom including my face, and I was nestled inside some cover that lined a fence row. Sure enough a group of Sandhills came floating in about to set down a few dozen yards in front of me. 

They were descending maybe 75 feet or so off the ground and I moved ever so slightly and pointed my camera toward them. In an instant, they picked up my movement and flared off to find another safer location. Did manage a few photos, but learned very quickly just how wary they are. 

One of the most magnificent days afield photographing Sandhills I decided to stay until after sundown.

 Most of the birds except for a few straggler had moved off through the day leaving the cornfields around me mostly devoid of their activity. I figured they were gone. A few moments before sundown, with a bright and amazing sunset developing, They started flying through in groups of a hundred, then two hundred and more, returning to their roosting area. By chance, I happened to aligned with their direction of travel as they moved into the sunset. What an amazing sight! Thousands of them sailing by, calling to each other as they settled toward the setting sun. 

On another occasion, I arrived just before sunup and caught the full flight of at least 30,000 Sandhills lifting from their roost to head into the fields for the morning. An amazing sight and one I will not long forget.

In the near future, I will again be heading back to Indiana to witness and capture these amazing birds. Plan is to shoot more video than still photo's, then create a Beyond the Campfire Adventure Video program about the experience. Stay tuned for Part 2 of Photographing Sandhill Cranes: The Challenges and Rewards.

Red Letter Days: Photographing Elusive Kentucky Whitetail Deer

Over the years I could probably count on one hand how many true red letter photography days I've managed to have. They do not come all that often, one or two a season at most. By red letter I mean a photography day where everything falls into place; timing, subject, light, opportunity, and preparation. Two days near the end of November and into early December 2022 became such a time.

The farming fields that surround the area where I live harbors a great assortment of wildlife. Coyotes, foxes, birds of prey, and other small game, but deer are by far the most prominent. They may indeed also be abundant, but that does not make them easy to photograph for they are extremely shy and easily spooked by people. They are survivors, so they have learned to be vigilant or risk not surviving. These instincts are what makes them so difficult to photograph.

They have good eyesight, but can only see in shades of gray. They also have excellent hearing, but the one sense they rely on the most is their keen sense of smell. It is that sense that makes them a challenging foe for the hunter and photographer alike. They may hear you but that does not always generate a flight. They may even see you, but again that may not spook them if you remain motionless for they rely on detecting motion and if you stand or crouch and be very still, they may not be able to distinguish you from the background. But, if they get one whiff of you, they are most assuredly gone. But knowing this and how their other senses are used can be deployed in your favor when it comes to photographing these amazing animals. Camouflage or dull colored clothing helps to break up you pattern against the background, however, wind is the key. By always positioning yourself downwind from their expected sighting area, your odds of seeing and photographing these amazing animals greatly increases. It's also important to position yourself against a dark shaded background and to stay low so as not to present the form of a standing person.

Deer follow predictable patterns and tend to utilize familiar pathways and feeding locations. The corn and soybean fields that prevail around here draw them like magnets. The two weeks leading up to the end of November were the gun hunting season, so I stayed out of the woods during that time to avoid interrupting someone's hunt. But after it ended, I once again headed through the spit of woods that ends where two fields converge. Across the way about a hundred yards or so begins another more extensive woods, and that is where most of the deer congregate.

I wanted to capture some good quality photographs of these amazingly beautiful animals. I knew they typically feed in those fields late in the day and if the wind was right, I'd stand a good chance to catch some as they entered and begin their feeding. It was chilly, so I dressed accordingly. Top to bottom full camouflage was the dress of choice which included a full mess facemask and dark gloves. Along with me I packed a 3 by 6 piece of camouflaged burlap. 

Around 2:00pm I slowly walked through that spit of woods slowing and stopping just before I came to the end of it. A quick look revealed no deer, but that was expected and the down time afforded me time to get set up. A large cedar tree became my backdrop as it provided a shaded area out of the sun not so much to prevent my getting too hot, it was quite chilly, but to provide a dark area my camo clothes could blend against. I sat down with my tripod extended to its lowest level and draped the burlap across and to either side of the tripod effectively creating a simple but effective blind that would muffle and hide most any movements. The wind was good, blowing from my left to right which would take my scent pretty much away from where I expected the deer would show up. A slight adjustment to the tripod and camera, then it was time to wait.

I expected the deer would possibly show up between 3 and 3:30pm as I had previously inadvertently jumped them out of those fields around that time.  Right on cue, just after 3:00 I spotted the first one, a young doe coming out of the woods across the way. She was followed by another, then another. For several minutes, they were the only ones I saw, but the late afternoon light was awesome coming from behind and to my left flooding the field with long shadows and brighter areas. Before long a fourth deer arrived and he was a young buck with a small set of spike antlers. Within a few minutes a second buck  cautiously walked out of the woods. This guy was a nice 6 point with a well shaped rack. He was strong and healthy having survived the deer season and definitely was interested in the does as the rut was still on.

A short time later the does wandered back into the woods but the two bucks remained for a time before following them. Before long several more deer appeared along the edge of the adjoining field. They were a ways off but I was able to capture a few photos. As the light began to settle toward dusk, five more does came out of the woods and crossed over the field to my right. I suspected they would wind me as they crossed my downwind area. They did, but oddly they did not spook, they just got a bit antsy, and real cautious and kept looked over my way. Holding still and with the camo along with the natural foliage made it difficult for them to see me. 

Within a couple of minutes I heard a loud snort and thought they had figured me out, but when I turn my gaze toward them, they were looking in the opposite direction. Far across the other end of the field were two does and another buck...a nice buck somewhat larger than the 6 pointer. He was chasing after those two does. Too far away to get a clear image but I fired off a couple of quick photographs...then my battery died, the third one of the day to do so. I had no more batteries with me, so my photography day was over, but I sat for a while longer just watching. At one time there were around 15 or 16 deer in the fields at the same time.

I slowly and stealthily made my exit so as not to spook the deer. I could not believe my good fortune. I've seen a lot of deer over the years, photographed a few of them, but never have I seen that many deer together at the same time when I had a camera with me. My only gripe is I did not have a fourth battery and I missed the best light of the day.

A red letter day for sure, but the best was still to come. A couple days later I ventured out again. It was another gorgeous day with a light breeze blowing from east to west, not perfect but acceptable. I got there earlier and before long saw five does trotting across the edge of the soybean field toward that other wooded area across from where I was. Right behind them followed that same six point buck. All through the afternoon I caught glimpses of the deer, however they remained some distance away. Eventually, about 30 minutes or so before sundown, eleven deer exited that patch of woods across from me and angled across the Soybean field. I managed a few long range photos, but their line of travel eventually caused them to cross downwind of me and they caught my scent. Again they could not see me, but became quite agitated and eventually trotted across the field. 

I thought my shoot was over, but decided to stay until sundown. A short time later, a small group of does and one little four point buck walked into view way across the other end of the cornfield, well over two hundred yards away. By now the sun was quite low and created some wonderful warm light that spread across the field bathing the distance tree line with a warm glow. It took them a while, but they worked their way toward me and crossed over into the soybean field just after sundown. The light was very gray and dim by now, but I was able to capture some video and a few photos.

About all the light I had left was from the ambient glow cast across the sky. It was so dark by then I could no longer shoot video and a high ISO and slow shutter were required for photos. I started to gather my gear and sneak away hoping not to disturb the deer now feeding in the soybean field, when I noticed some movement across the cornfield. It was so dark I could just make out two deer, one was that little four point, but the other took my breath away. With his head down as he followed the scent of the does, his rack now polished almost white, stood tall and wide. 

I took a series of photos knowing the conditions were not ideal, but this buck was a true trophy class deer and just seeing him was worth the wait. I've seen a number of large bucks over the years, but never when I had a camera with me. This one was as grand of a deer as I have ever captured. Back to back red letter days photographing Kentucky Whitetail Deer.