Photography often becomes a connected series of events that ultimately results in a finished photograph exhibiting a unique look. To arrive at the end of those events requires us to travel down a path of exploration, and those travels always begin with a first step. Therefore, we must be willing to take the first step, if for no other reason, but to discover the possibilities that await us.
The winter of 2018 and 2019 in Kentucky was a rather dreary and wet affair. Not much snow, but a great deal of cold rain along with many days of overcast skies. Not often for several months did the sun manage to burn through the overcast. But, on one occasion, I managed to be at the right place at the right time to capture an amazing sky when the sun decided to appear.
It began with a first step when the skies began to break apart late one afternoon. No plans were made for any kind of outing, but I realized an opportunity was developing that just might lead to an interesting lighting situation. An instinctive warmth swelled up inside as I gathered my camera and gear and headed out. I just drove at first not knowing for sure where to go, then I remembered a location from a previous outing I thought might work out. Well, it proved to be rather ordinary, but I was not far from another place and decided to head over that way. It proved to be a good decision.
Originally I hoped to capture some long lens images of an old brick house that sat off in the distance along a country road that split two harvested cornfields. As the afternoon wound toward its climax, the light began to improve and I captured several long angle lighting shots of the old house, but I noticed how the clouds and the sun were going to interact as the sun dipped below the cloud line along the horizon. It became obvious that a spectacular light show was building and I shifted my focus away from the house toward the setting sun.
As I thought it would do, the sunset proved a welcome respite from all the dreary days we had endured all winter and I snapped away. It is amazing just how quickly the light changes at the transitions of the day. Between each shutter release the clouds shifted and the light swung in great arches of red and orange mixed and blended themselves between the muted gray of textured clouds.
I moved here and then there, changing my camera angle as the clouds moved ever so slowly carrying with them the full color spectrum of a setting sun. As I moved along a gravel access road that lead down to one corner of one of the cornfields, I noticed a single tree standing broadside to the sky. I raised my camera, framed a couple of quick images then paused for a moment.
Something unique began to develop across my field of view. The clouds moved to either side of the tree and grew dark red as the last moments of the afternoon display transformed into its final act.
I moved back a few yards...then a few more...and there it was, the final possibility...a flaming tree silhouetted against a sky engulfed with a magnificent arch of fire and smoke. I made a few final shots and then, almost without hesitation, the light dropped, grew dim, and the curtain of darkness implied an end to the afternoon performance.
That image alone was worth the taking of that first tentative step of anticipation. Yet, several weeks weeks passed and I kept looking at the images from that shoot. I realized the possibilities were not yet finished and started playing around with what was there.
Photography is a series of events that ultimately leads to a finished photograph. The trick is to recognize the possibilities, then wade deeper, taking what you capture to another level of exploration.
ESTABLISHED 2010 - Beyond The Campfire was created to encourage readers to explore the great outdoors and to observe it close up. Get out and take a hike, go fishing or canoeing, or simply stretch out on a blanket under a summer sky...and take your camera along. We'll talk about combining outdoor activities with photography. We'll look at everything from improving your understanding of the basics of photography to more advanced techniques including things like how to see photographically and capturing the light. We'll explore the night sky, location shoots, using off camera speedlights along with nature and landscape. Grab your camera...strap on your hiking boots...and join me. I think you will enjoy the adventure.
Tuesday, February 26, 2019
Sunday, February 17, 2019
Some Shade, Some Natural Back Light, and a Single Speedlight
There are times when shooting conditions offer a challenge to a photographer. As a photographer you must learn to adapt to each situation and what might appear at first to be difficult, can be used to your advantage.
Back in May 2016 a friend asked me to assist her in shooting some prom photos of about a dozen or so teenagers. Turned out to be a wonderful experience as the kids were awesome and having a great time.
The shooting conditions at first did seem to be a bit of a challenge as it was a bright sunny afternoon with a lot of speckled sun filtering through the shade cast by numerous trees. As usual I brought along all kinds of equipment not knowing for sure what I might need. Turns out all I used was a single speedlight on a stand shot through a 20 x 30 softbox.
The setup was actually quite simple: The speedlight / softbox combination was placed at about a 45 degree angle from my subjects and about six feet away. Took a little experimenting with the output settings, but once that was determined it was a matter of finding the right place to shoot.
I ended up placing the kids in a shaded area where some of the afternoon sunlight was filtering through. This filtered light became my background and a source of back light used to place some subtle highlights on their hair. Behind them was a large patch of mottled light and shadow, which by using a long lens to zoom in on the subjects, became a great source of Bokeh or those nice softly out of focus blotches of light that make up the background. I set my base exposure for the background slightly under-exposing it to reduce some of the glare from all of the mottled light splashes. The flash itself, fired remotely from the camera, simply provided some extra fill light to brighten up the faces and to make their eyes sparkle.
On one of the shots I lined up the guys in a V-like formation and made the shot from down low. On this one I used all natural light exposing for their faces and allowing the rest of the scene to simply fall where it wanted to. This created a brighter background which contrasted sharply with the dark nature of their tuxedo's.
The first key to this shoot was simply a matter of getting the kids to loosen up and be themselves which wasn't all that difficult to do as they tended to feed off each others energy naturally. The second key was allowing the light that was already there to provide the base background lighting and then using the flash to simply fill in. From the time the first image was captured until they had to move on the prom location, we had a great time.
What made it easy for me was the simplicity of the setup; some shade, some natural back light, and a single speedlight.
Back in May 2016 a friend asked me to assist her in shooting some prom photos of about a dozen or so teenagers. Turned out to be a wonderful experience as the kids were awesome and having a great time.
The shooting conditions at first did seem to be a bit of a challenge as it was a bright sunny afternoon with a lot of speckled sun filtering through the shade cast by numerous trees. As usual I brought along all kinds of equipment not knowing for sure what I might need. Turns out all I used was a single speedlight on a stand shot through a 20 x 30 softbox.
The setup was actually quite simple: The speedlight / softbox combination was placed at about a 45 degree angle from my subjects and about six feet away. Took a little experimenting with the output settings, but once that was determined it was a matter of finding the right place to shoot.
I ended up placing the kids in a shaded area where some of the afternoon sunlight was filtering through. This filtered light became my background and a source of back light used to place some subtle highlights on their hair. Behind them was a large patch of mottled light and shadow, which by using a long lens to zoom in on the subjects, became a great source of Bokeh or those nice softly out of focus blotches of light that make up the background. I set my base exposure for the background slightly under-exposing it to reduce some of the glare from all of the mottled light splashes. The flash itself, fired remotely from the camera, simply provided some extra fill light to brighten up the faces and to make their eyes sparkle.
On one of the shots I lined up the guys in a V-like formation and made the shot from down low. On this one I used all natural light exposing for their faces and allowing the rest of the scene to simply fall where it wanted to. This created a brighter background which contrasted sharply with the dark nature of their tuxedo's.
The first key to this shoot was simply a matter of getting the kids to loosen up and be themselves which wasn't all that difficult to do as they tended to feed off each others energy naturally. The second key was allowing the light that was already there to provide the base background lighting and then using the flash to simply fill in. From the time the first image was captured until they had to move on the prom location, we had a great time.
What made it easy for me was the simplicity of the setup; some shade, some natural back light, and a single speedlight.
Thursday, January 31, 2019
A Look Beyond - Discover Those Reserved Moments
There is dwelling through the night a canopy arching overhead filled with the wonders of creation. As beautiful as what we can observe using just our marvelous eyes, it is but a fraction of what harbors there, just out of sight. Those few thousand stars visible to us each night are but a tantalizing hint of what awaits those who chose to look beyond.
For as long as I can remember I have been fascinated with the night sky. As a photographer I am constantly seeking new and exciting ways of expression. Capturing the night sky is but one of those ways, but it serves to fill the void of wanting to know more about what is there. Every photograph reveals a new moment in time and becomes a reward unto itself.
Genesis explains in simple form how God created the Heavens and the Earth in six days. For some reason he chose to obscure much of what lies just outside our field of view only giving us just enough to rekindle within us a desire to find out more. It was a brilliant way to motivate and stimulate our minds so we would grow and seek out more about his creation. Sort of a teaching tool I suppose, and an effective one.
When I step outside and observe the heavens I am doing more than simply looking or taking pictures. I am exercising the inquisitive instinct he placed within all of us. I know more lies just beyond what I can see and capturing those images becomes a means to discovery and revelation. God gave all of us different gifts. There are the biblical gifts like mercy or teaching or even prophesy, but he also gave us earthly talents and he expects us to develop and explore both the biblical gifts and our earthly talents. I suppose too that is why he chose to only reveal a small portion of his creation to allow us to discover for ourselves the wonder of what he made, for in his creation he reveals himself to us. It just seems so obvious really when you think about it. The complexity of creation simply could not have just happened from a random event out of nothing.
When I look beyond what is visible, I feel blessed to have been given the opportunity to observe and experience a part of creation that was reserved just for me for that moment of discovery. When I think about it, every photograph of creation is exactly that; a reserved moment of creation. I only wish I could do justice to what is there.
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