Looking For Everyday Natural Compositions - Keep it Simple

 Mid-October and nature is shifting toward cooler fall-like temperatures, brisky breezes that sing their songs through the tops of the trees, and nature is beginning to awaken from its summer doldrums. Transitional moments in nature are some of the most exciting times for a photographer. Contrasts are deeper and wildlife begins to stir more deeply as they prepare for the onset of winter. Capturing these moments can be somewhat of challenge, but just being out in nature during this time of year stirs the imagination and creative instincts. One of the techniques I try to employ during this time is to look for the simple, everyday compositions. 

In recent days I have spent a good part of the time hiking around the cornfields behind my house looking for easy compositions. In doing so, I've run across a few of the deer that inhabits this area. The corn harvest has yet to be completed across these fields, so photographing the deer remains somewhat more complex in that they tend to roam around the fringes often obscured by the tall stalks across the cornfield. Often they just remain inside the wooded area venturing out late in the day to feed. Photographing them inside a wooded area is not easy simply because of all the clutter in there. 

Making sense of the compositions required to capture a compelling deer photograph is more dependant on the deer than anything; they tend to always show up from the wrong direction and stay hidden. Just yesterday I was sitting inside this patch of woods along the edge of a wide road-like path that circles around the perimeter. The wind was in my face and I just knew the deer would come from one particular direction and across a clear area like they had done before. Well, one did show up, but it came from behind me, downwind, and as I suspected, she caught my scent and that's all she wrote...off she went.

Even though I was unable to capture any photos of the deer, I began to see simple woodland-style compositions all around me. 

The darkened nature of the woodlands provided a wonderful backdrop for things like a single branch with a cluster of leaves on the end, or  a fat squirrel scampering about that peeked around the side of a tree, or a vine with a single leaf still attached near the end of an extension.

Using a long lens served to isolate those moments into simple everyday natural compositions. Even when the wildlife does cooperate, capturing them in a compelling, yet simple way can be a challenge. I will look for natural behavior moments with natural framing surrounding the animal. A year or so ago, a small family group of doe meandered into the corn stubble field with a few of them remaining just inside the woods.

A single deer stepped into a small opening near the edge and when she did, she caught sight of my movement and locked onto my location. She was framed by a series of tree limbs with her being highlighted against the dark background inside the wooded area. The finished photo became a very compelling, and storytelling image with her staring in my direction with one leg raise. The composition is simple, yet retained an element of natural complexity to it.

Wildlife photography is perhaps one of the most difficult styles of photography and requires patience, a good working knowledge of the wildlife's natural tendencies, and a good measure of luck. Most of the nature magazines and/or books thrive on the close-up image of some animal showing all the details in exceptional sharpness. Those work well for things like insects, birds, flowers, and so on. I do have a few of those, but, when it comes to wildlife in general, I have captured far more long range images...images that I classify as Environmental Wildlife Portraits, any other kind of images. 

To me, these kinds of images do far more to capture the natural behavior of wildlife than the close-up and my preference is to look for those kinds of opportunities. They also lend themselves well to the simple natural composition.

I am constantly in search of the simple compositions where my subject is isolated against the background, or captured deep within and engulfed by their natural surroundings. Everyday natural compositions serves the photographer well as there are far more of them available than the spectacular natural ones. One could even say, because their simplicity, they retain a spectacular element far deeper than what might first be apparent.