The Blue Hour

 The afternoon drifted along about as slow as the lazy clouds moved across the late October sky. The deer herd I wanted to photograph were slow to appear and never really came close enough to offer any kind of decent photo op. As the light began to fade, I slowly made my way along the outer edge of the cornstubble field heading back home. Across the way, the sun dipped below the treeline that stretch across a good portion of the west end of the field and I paused for a moment to see if a sunset might develop. It just wasn't working as the light turned into mostly a diffused and muted gray. Sometimes, most times actually, I would just simply pack up and keep on going. On this trip I employed a technique I learned many years before; I turned around and looked in the opposite direction.

 

To my pleasant surprise, a few slivers of clouds were being highlighted by the last remnants of the sun's rays and cast a pale pinkish orange glow across the sky. The remainder of the clouds reflected a bluish and contrasty tint. I framed a few images, then captured a series of overlapping vertical images that were used to create a panoramic photo. That composite turned out so subtly dramatic, I used it to create a mirror image...and the rest is history.

What made that image work is the prevailing blue light, cast by the late hour of the day. The composition is quite simple and the pink highlights added just enough complementary color to create a memorable moment of light. The Blue Hour can often provide some of the most dramatic moments of light and do it with such subtle textures as to provide some of the best and often overlooked photographic opportunities.

The Blue Hour most often occurs just before sunrise or just after sunset, however it can occur at other times as well. Overcast or rainy days and shady locations, can provide very natural bluish light. My favorite is the early and late light opportunities. 

Capturing effective exposures with blue light can also be enhanced by manually adjusting the white balance to a more bluish tint value. Use caution when doing this as you can also really create a ghoulish look if you are not careful. Just normal daylight white balance ranges around 5000k works just fine for most situations. Auto white balance might also shift the natural blue light to more of a gray look as well. So...the point is, just experiment with what works best. Most of the blue light shots I make are made using ordinary daylight settings.

Blue Hour light moments are not always simply..well, blue. Sometimes they can be quite bold and filled with a more lavender or purple tint. This can often be very rewarding as it is the contrast of different light tints that make the image. When I do shoot in blue light, I will look for some kind of contrasting or complementary lighting situation. Complementary light is light were tonal values fall on the opposite side of the scale...like blue and red shades or green and orange shades.

And then there are the times where the image demands simplicity and just blue light will suffice for the composition. It just depends what you the photographer is looking for and what nature presents to you. Trust your instincts and most of all do not be afraid to try something different. 

Avoid backing yourself into or locked to a single way of looking at things. Not every photo must fit a list of "photographer laws". You, the photographer are in control of what you create. Not everything must look a certain way. Be creative. Experiment. Don't accept the ordinary.  Strive to achieve the extraordinary. Looking for and using blue light situations can often provide an extraordinary opportunity to exercise your creative instincts.

You do not have to capture nature the way you see it. Capture nature the way you feel it. Capture emotion and work toward achieving a visual impact. The Blue Hour provides for a major emotional and visual impact. Use it. Look for it.